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Kathāpīṭhalambaka - 1- Śiva Starts Narrating a Story
इदं गुरु-गिरीन्द्रजा प्रणय-मन्दरान्दोलनात्
पुरा किल कथामृतं हर-मुखाम्बुधेरुद्गतं |
प्रसह्य रसयन्ति ये विगतविघ्नलब्धर्धयो
धुरं दधति वैबुधीं भुवि भवप्रसादेन ते ||Long ago this kathāmṛta (literally 'story-nectar') rose up from the mouth of Śiva churned by Pārvatī’s love acting as the Mount Mandara. Those of this world who partake of it are, through the grace of Śiva, instantly rid of obstacles and blessed with prosperity and vested with knowledge.
Drama Companies of Bellary (Part 2)
Kumbāra Guṇḍayya (Guṇḍayya, the Potter)
In one of the plays – probably ‘Vijayanagara Patana’ – one of the characters is a potter. That day Raghavacharya beckoned me and told me to sit in the first row, just next to stage. I declined. He insisted I sit there compulsorily. “If you don’t sit there, I will have to call out your name loudly and make you come there. It will be an unnecessary fuss.” Thus he cajoled me. I sat there as per his instruction.
Caturvidhābhinaya in the Kumārasambhava - Part 4 - Devas and Brahmā
Sagra 2
The second sagra of Kumārasambhava starts with the devas going to Brahmā seeking his help in vanquishing the demon Tārakāsura.
Drama Companies of Bellary (Part 1)
Circa 1909, the drama company Sumanorama Sabhā (or Suguṇavilāsa Sabhā) of Bellary arrived in Bangalore. Kolachalam Srinivasa Rao was the director of that drama company. He was an advocate. It was Sāhukār Netkallappa[1] who helped the company by making arrangements for them in Bangalore.
