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Sundara-kāṇḍa - Part 2 - Hanūmān spots Sītā in the Aśoka-vana

Hanūmān looked for Sītā everywhere in the vicinity of the palace. He searched the creeper-covered pavilions, picture galleries, and night rooms, but was unable to find her. He fell into despair and thought, ‘Sītā must have been killed by the rākṣasa or must have died of his torture. What will I tell the vānaras? Well, dauntless self-reliance is the root of all success and is the gateway to happiness.

The Basis and Value of Nāṭya and Nṛtya (Part 2)

India seems to be the only civilization that has philosophically contemplated upon the nature of Ānanda and realised it to be the ultimate outcome of art. Ānanda, which transcends time and space, is the untainted Joy evoked through art – this fundamental principle does not appear to have been expressed in clear terms in other civilizations. Additionally, the process of arriving at this – the prakriyā – is also not adequately delineated[1].

Sundara-kāṇḍa - Part 1 - Hanūmān crosses the Ocean and searches for Sītā

Hanūmān assumed a body of immeasurable size right in front of the vānaras. Pressed down by the huge vānara, the mountain trembled for a moment which caused the fresh blossoms from the trees to fall; waters poured out from the mountain and it looked like an elephant in rut exuding ichor from its temples; huge boulders tinged with gold and silver tumbled down due to Hanūmān’s force. Preparing to leap, Hanūmān let out a mighty roar and had goosebumps all over his body.

ಕೆಲವು ಪ್ರಸಿದ್ಧ ವರ್ಣವೃತ್ತಗಳ ಗತಿಮೀಮಾಂಸೆ - 8

{ಜಲೋದ್ಧತಗತಿ} ಪೃಥ್ವೀವೃತ್ತದ ಪ್ರಸ್ತಾರದಲ್ಲಿ ‘ಜಲೋದ್ಧತಗತಿ’ ಎಂಬ ಪ್ರಬಲವಾದ ಲಯಾನ್ವಿತ ವೃತ್ತ ಗರ್ಭೀಕೃತವಾಗಿರುವುದು ಮತ್ತೊಂದು ವಿಶೇಷ: 

ಪೃಥ್ವೀ

[u – u u u – u – u u u –] u – – u – 

ಜಲೋದ್ಧತಗತಿ

u – u u u – | u – u u u –