D V Gundappa (Part 4)
I will now outline the qualities of DVG’s personality and works that can guide us in the pursuit of knowledge.
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D V Gundappa (Part 3)
DVG has analyzed the major characters of the Mahābhārata in a long essay. His sublime analysis includes discussions on kāla, ṛta and conflicts that arise in the transition from one age to another. This is an exposition that befits the epic dimension of the Mahābhārata.
Critical Appreciation of Prahasanas - Part 9
We move on to the next prahasana, Bhagavad-ajjukam.
Prof. Sondekoppa Srikanta Sastri (Part 3)
In the early 1940, when the Western world was at the acme of its materialistic success, Sastri wrote these visionary words – “In the history of the world, it is only Hinduism that gave not only to India but also to all her neighbours an organic conception of society based upon economic as well as spiritual needs. It is the very antithesis of ‘the principle of accumulation based on inequality’ which is a vital part of the Western order of society. It recognized frankly the hard fact that perfect equality in all spheres is impossible of attainment.
Bhagavān Vyāsa - 4
At the outset of the Mahābhārata Vyāsa outlines its literary qualities that befit an epic. At the end of the epic, he composes an epilogue of sorts titled Bhāratasāvitrī, where he solemnly records the poet’s helplessness:
ऊर्ध्वबाहुर्विरौम्येष न च कश्चिच्छृणोति मे।
धर्मादर्थश्च कामश्च स किमर्थं न सेव्यते॥ (१८.५.४९)
Kathāmṛta - 71 - Śaktiyaśo-lambaka - Stories of the Fools
Narrating this story to Sañjīvaka, Damanaka said: ‘Thus a wise man remains steadfast when danger approaches. Now, this is what you must do. When Piṅgalaka rises and lifts up his tail, plough your horns up his belly and rend it!’, and went straight to Karaṭaka. Sañjīvaka walked up to the lion, which slowly got up and walked forward with its tail raised up. Right then the bull sprang forward, thrusting forth its horns. The lion too landed its strong paw with sharp claws upon the bull.
Research in Dance – Possibilities and Challenges - Part 1
There are many dimensions that research in classical Indian dance can explore and many paths it can choose to tread. This is, in fact, true from a global perspective as well. But we shall limit the current discussion to the dance forms of India that have traditionally come down to us.