Kathāmṛta - 71 - Śaktiyaśo-lambaka - Stories of the Fools

This article is part 71 of 133 in the series Kathāmṛta

Narrating this story to Sañjīvaka, Damanaka said: ‘Thus a wise man remains steadfast when danger approaches. Now, this is what you must do. When Piṅgalaka rises and lifts up his tail, plough your horns up his belly and rend it!’, and went straight to Karaṭaka. Sañjīvaka walked up to the lion, which slowly got up and walked forward with its tail raised up. Right then the bull sprang forward, thrusting forth its horns. The lion too landed its strong paw with sharp claws upon the bull. Watching this, the gentle Karaṭaka wistfully addressed Damanaka: ‘Look at the predicament you have landed our master in for your selfish gains! Alas. If sane advice is imparted to someone who has already resolved to not pay heed, he will meet the same fate as was meted out to the woodpecker, by the foolish monkeys’, and proceeded to narrate this story:-

~

There lived a troop of monkeys in a forest. On one cold night they saw a glow worm and mistook it for a spark. They foolishly put some grass and dried leaf over it and started blowing on it to raise fire for warmth.

Looking at that one Marukuṭa said, “This is not fire; it is a fire-fly. Why do you simply struggle?” Still, they did not keep quiet. It then climbed down the tree and stopped them. A monkey, which got angry crushed the bird with a stone. Something which is done with a wicked thought will not end on a good note:

In the past, there lived two merchants named Dharmabuddhi and Duṣṭabuddhi. They travelled abroad and earned two thousand dinars. They kept aside a hundred for their daily expenses and hid the rest under a tree.

One day, Duṣṭabuddhi went alone and took hold of all the money there. After a month, he said – “Dharmabuddhi! We need money for our expenditure. Let us go fetch some!” Seeing that there was no money there, he accused Dharmabuddhi of being a thief. They argued with each other and took the complaint to the king. When the royal court was not able to judge the case, Duṣṭabuddhi said – “Let us ask the tree under which we had buried the money; the tree will answer!” It was decided that they would all go to the tree the next morning.

That night, Duṣṭabuddhi sought his father’s help. He asked him to hide himself within the hollow in the tree the next morning and utter words in his favour. The next day, when everyone went to the tree and asked –“Who picked up the dinars from here?”, they clearly heard a voice say – “It was Dharmabuddhi who took the money!” It is impossible for a tree to talk. They suspected that there was someone hiding with the tree and got the hollow of the tree put on smoke. Duṣṭabuddhi’s father choked and fell down to death. Having discovered he truth, the royal officials got Dharmabuddhi his share of the wealth. They chopped off the arms and tongue of Duṣṭabuddhi and sent him away from the town.

Thus, anything that is performed in an unethical manner will not be successful. Just as the baka bird (crane) behaved in a just manner with the snake, only activities performed dhārmicaly will be successful.

In the past a crane regularly laid eggs at its abode. A snake frequently came to the crane’s nest in its absence and ate the eggs. The crane planned to avenge for the loss of its eggs. It laid parts of dead fish from the mouth of the burrow of a mongoose up until the snake’s anthill. The mongoose followed the smell of the fish until the anthill, entered it and ate the snake and all its young ones.

Thus, we will need to be tactful in achieving our task. Let me narrate yet another story in this regard.

A merchant had inherited a large iron cauldron from his father. As he had to travel abroad, he left it at another merchant’s place and requested him for its safekeeping. When he returned and asked for his belonging back, the merchant said that rats ate away the cauldron. He thought to himself with a smile – Well, it must have been really tasty if rats had to feast on it. He said that he would visit him for lunch the very day. The merchant, who was to safe-keep the cauldron happily agreed. He gave him some gooseberries and sent him with his son to have bath. The first merchant took bath in a river, hid the boy in a friend’s house and came back alone. When he was asked where the boy was, he said that an eagle took him away. The father was enraged and said “This crooked guy has hidden my son!” He complained to the king. The royal court said – “It is impossible for an eagle to take away the boy! This is not true!” Then, the first merchant said –“In a place where rats can eat an iron cauldron, there, an eagle can carry an elephant as well – why not a mere boy?”

The king then learnt about the entire story; he ensured that the first merchant got back his cauldron and the second one got back his son. Thus, instead of getting your work done in a strategic manner you have hurled our master into peril—thus he said.

Damanaka said with a laugh, “Is there any doubt of the lion winning? This lion possesses a body scarred with wounds made by the tusks of great elephants in rut in the heat of confrontation and all this poor bull can boast of is cane marks of thrashing by its master!” Even as they were speaking, the lion went and killed the bull. Karaṭaka and Damanaka regained their former positions.

5. After narrating this story Gomukha said, “Deva! You have just heard the story of the wise and the intelligent. Now listen to the story of the ignorant and the foolish.”

Tales of Fools

A merchant once took his goods to the Kaṭākadvīpa. Much of it contained flakes of Agarwood [Aquilaria agallocha, a fragrant wood like sandalwood]. All the other goods were sold. The people of that island had never seen Agarwood and so they didn't ask for it. Then, he burnt all the flakes and turned them into charcoal, which he sold there!

A village bumpkin once had fried til seeds and finding them to be tasty, he thought: Why not directly grow such til? and fried all the til seeds he had before he planted them in the soil. All the seeds were destroyed.

A fool once thought: In the morning, we need water to take a bath and we need fire to light the lamp for the deities; if both are nearby then things will move quickly in the morning! Thinking thus, at night he put the fire inside the water tank and went to sleep. When he awoke the next morning, the fire was doused and the water had become dirty! As a result of bathing in that water his face and his body blackened with soot.

A dimwit saw that his wife had a flat nose while his teacher had a fleshy nose and so while they both were sleeping, he chopped off their noses and tried to exchange them; as a result, both their noses were severed!

~

In a forest lived a wealthy fool. A few tricksters and villains came to him and befriended him. They told him, “We have found a city-dwelling girl for you!” He was delighted and gave them a lot of money. After a few days, they told him that the wedding took place; and a child has been born. Thus, they looted him of all his wealth. When he exclaimed, “Alas! I never saw my child,” and began weeping, they looked at his foolishness and had a hearty laugh!

Once when a village was digging the ground, he found a stock of jewels and ornaments tied up in a cloth. Thieves had stolen it from the palace and had hidden it there. He took those ornaments and placed them before his wife. Not knowing the utility of those ornaments, he tied the cummerband to her head; necklace to her waist; anklet to her wrist; and bangles to her ears. While all the onlookers laughed, the matter reached the ears of the king, who sent his guards to seize the ornaments. But they let him free, realizing that he was a fool.

~

Once a fellow had taken bales of cotton to sell them. Nobody bought them because they were dusty and unclean. When he saw goldsmiths cleaning the gold by putting it in the fire, he tried to follow suit and threw the cotton into the fire to cleanse it. Needless to say, it burnt to ashes!

Some of the fools ventured to harvest the dates; there they saw an uprooted tree; they thought that it is easier to harvest the dates if all the trees are uprooted and so they did; when they took the collected bunches of dates and returned, they were punished for uprooting the trees.

~

A king called for someone who could find treasures. Worried that he’d desert him, one of his wicked ministers gouged out his eyes. Thus blinded he failed to even understand the topography of the land; how would he be able to find treasures!

 

Another fool visited his friend who resided in the city and was partaking of tasty meals and asked him, ‘What ingredient that makes your food so tasty?’ his friend replied, ‘Salt!’ hearing that he thought it would be very satisfying to eat salt itself and he took a lump of salt and ate it!

~

A fool had a cow; it would give 100 palas of milk everyday; as some festival was imminent, in a bid to get a higher yield for the festival, he stopped milking it for a month; on the day of the festival, there was no milk remaining!

~

A fool had a head injury which made his head look like a copper pot. He was sitting below a tree; a boy who had collected wood apples saw his head and as a prank he threw one of the fruits. The fool did nothing even though he was hurt and his head bled; the boy continued hitting him with more fruits; finally, he exhausted them all and returned home hungry without having anything to eat. The fool with his head hurting thought, ‘What if the fruits are sweet! Who can bear such pain!’ and went away. The cloth which he had tied to his head became the headgear signifying his coronation in the kingdom of fools!

~

Fools never achieve anything noteworthy and they become the butt of ridicule. Only the wise earn respect, saying so he narrated the following story:-

The Story of the Wise Crow, Mouse, Pigeon and the Deer

A crow named Laghupāti had its nest in a silk cotton tree. Beneath the tree, a hunter spread his net and scattered some grains which served as bait to catch a flock of pigeons. The chief among them, called Citragrīva, tutored all the other pigeons to hold the net with their beak and fly away. The hunter followed them for a while and returned empty handed. Citragrīva went to its friend, a mouse named Hiraṇyaka and took its help to cut through the net and freed everyone. Seeing all this, the crow was impressed by the mouse, requested its friendship. The mouse answered from its burrow, ‘How can we be friends? You are a predator and I’m your prey!’ The crow replied, ‘If I eat you now, I’ll be rid of hunger temporarily; but if I become your friend, you are capable of saving me from my death sometime!’ They became friends. After a few days, the crow took the mouse to its friend, a tortoise named Mantharaka

When the tortoise Mantharaka asked the mouse Hiraṇyaka why he had to leave his hometown, the latter began to narrate his tale:-

I used to live in a burrow near the town. Once I even stole a necklace from the palace by putting my strong teeth to good use. Impressed by this, the other mice thought that I was strong and could procure things and joined me. Every night, I used to fetch rice from the bag of an ascetic who lived in a temple near my burrow. One day his friend was with him. They both ate heartily and went to bed. When I went in to draw some rice from the ascetic’s bag as usual, he started to throw about his stick, trying to land a blow on me. When his friend asked him what he was upto, he replied, ‘A mouse comes here every night. No matter how high I place the bag, it jumps up and takes the rice away. I am trying to drive it away by creating all this noise with my stick!’. To this, his friend said “All animals have greed within them. This, my friend, is the source of all harm! Let me tell you what happened once, when I had gone to the house of a brahmana. I overheard him tell his wife ‘Today is an auspicious day, dear wife. A brāhmaṇa has come to our humble home. Do prepare the til-coconut-rice dish!’. ‘Why indulge in all this luxury, given our penury!’, she protested. He replied ‘My dear, it is good to accumulate, but within limits. Let me explain through a story:-

Once a hunter armed himself set out in search of a prey. He tied a little meat on top of his bow, readied his arrow and chased down a wild boar. The beast died due to its wounds from the arrow. The hunter too perished due to the injuries the boar inflicted upon him. A fox stood from afar and watched the whole thing play out. When it was all over, it slowly walked up and greedily wished to gather everything. It did not try to devour the boar or the hunter. Instead it tried to chew upon the meat on top of the bow. Right then the bow string snapped and the released arrow struck the fox which then died a painful death.

That is why I say that it is not wise to accumulate beyond what one needs’, he concluded. She agreed and went to put out til in the sun to dry. However when she was inside, a stray dog came and defiled it. Thus greed brings misery and not happiness.”

Then the ascetic’s friend brought a sickle and dug up the burrow. My fellow mice and I had to flee for our lives. When we did so, all our treasures like the necklace from the palace fell into his hands. Gazing fondly at the ornament, he said ‘This mouse was so powerful only because of the influence of all this treasure’. Later that night when I went to steal some rice, the ascetic hit me with his stick. Thanks to my good fortune, I was only injured and didn’t lose my life. However I had lost my ability to jump high. This is why I say: wealth is youth and penury is old age! Since then, finding food has become a matter of daily struggle. All my companions went away. Thus after much suffering I came here seeking the friendship of this crow Laghupāti.

After a few days, a deer called Citrāṅga, which feared for its life from a hunter, also joined them. One day when the deer had gone to graze, it got caught in the hunter’s net. The crow saw it and flew the mouse to it. The mouse furiously gnawed at the net and freed the deer. The tortoise had come to watch all this out of curiosity and fell within the hunter’s gaze. He quickly caught hold of it and tied it up with a rope. With the tortoise in his hands, the hunter began to walk. Looking at their friend in trouble, the animals quickly hatched another plan. The deer Citrāṅga lay down playing dead a little distance away at the shore of the lake. The crow sat on top of it and acted as if it was nibbling on it. The hunter got fooled looking at this, for he thought the deer was dead. Gleefully he laid the tortoise down and strode up towards the deer. Right then the mouse scrambled up to the tortoise and nibbled away at the rope and freed it. The tortoise then quietly slipped into the lake. When the hunter came to it, the deer suddenly sprang up and scampered into the woods. The crow flew away and perched atop a tree.

Thus, with their intelligence, the three animals achieved their goal.

When there is danger imminent, we should be ready to sacrifice life to save a friend. We should trust friends and not women.

 

The current article is a translation of Prof. A R Krishnasastri’s Kannada classic Kathāmṛta along with additional segments added from the original Kathā-sarit-sāgara (of Soma-deva). Bṛhat-kathā-mañjarī (of Kṣemendra) and Bṛhat-kathā-śloka-saṃgraha (of Budha-svāmin) have also been referred to. The translation has been rendered by Raghavendra GS, Arjun Bharadwaj, Srishan Thirumalai, and Hari Ravikumar.

The original Kannada version of Kathāmṛta is available for free online reading. So are the other works of Prof. Krishna Shastri

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...