Yakshagana is a term, which although collectively applies to regional performing arts of Karnataka and Andhra, in the recent years, it has been used synonymously with ‘Paduvalapaaya’ which is practiced in the Karavali and Malenadu regions of coastal Karnataka. The current article uses the word ‘Yakshagana’ in this popular sense, but we must keep the generic significance of the term in our mind.
Author:Shatavadhani Dr. R. Ganesh
Krishna starts off the Gita by asking Arjuna not to grieve – “Don’t cry for either the living or the dead” (BG 2.11). And he ends his message by asking Arjuna not to grieve – “Just have faith in me. I will grant you the ultimate state. Don’t cry” (BG 18.66). In between these two persuasions of “Don’t cry,” he teaches the Gita. But what of Krishna’s life? Has he ever cried? While all the great warriors of the Mahabharata have shed tears at some point of time or the other, Krishna never sheds a tear. There are instances where he is sad, but he doesn’t show it.
भट्टिर्नष्टो भारविश्चापि नष्टो
भिक्षुर्नष्टो भीमसेनोऽपि नष्टः ।
भुक्कुण्डोऽहं भूपतिस्त्वं हि राजन्
भम्भावल्यामन्तकस्संनिविष्टः ॥
In the last story we saw how Bilhana, the great poet who lived in the 11th century, fell in love with a princess. This story gives us an account of how, lost in love, he was about to lose his life.
One of the greatest losses of the so-called Dravidian discourse in Tamil Nadu is the loss of a number of Hindu devatas or deities in the civilizational consciousness of the Tamils. More pointedly, the cultural-heritage-loss that accompanied this devata loss has in many cases become irreversible. To restate the obvious, most ancient and medieval era temples in Tamil Nadu today have become dens of corruption, squalor, and pettiness at all levels. This rampant degradation continues unchecked.
R Raghunath Rao had a picturesque personality. His physique, his clothing and style, the eloquence in his speech, and the resourcefulness in his work were such that they could impress anyone who came in contact with him. He was a tall man; one could call his skin color a dull black. A round face, a bit on the thinner side; a long, thick nose that stood out; and a moustache like a festoon of crops. His eyes, always looking here and there, were so lively that it felt as if he was speaking sharp words.
Vijayadashami – the victory on the tenth day – is when Rama killed Ravana. While the victory of Rama over Ravana was a great one, greater still are the several personal battles he fought and emerged victorious. Being the elder son, he was the natural choice for being the king, but he was sent into exile. He took it in his stride. After Sita was kidnapped, he pined for her and did not rest until he fought and killed Ravana. Then circumstances forced him to abandon his beloved wife. Caring little for his personal feelings, he acted according to the ruling.
निरर्थकं जन्मगतं नलिन्या
यया न दृष्टं तुहिनांशुबिम्बम् ।
उत्पत्तिरिन्दोरपि निष्फलैव
कृता विनिद्रा नलिनी न येन ॥
Once, in the Pravarapura district of Kashmir, there lived a couple: Jyeshthakalasha and Nagaradevi. They had a son named Bilhana, who grew up to be a poet par excellence.
Kosambi accuses the Bhagavad-Gita of being a perverse tool used by brahmanas to justify their actions:
The Sanskrit Podcast hosted by Shoba Narayan and featuring Vikram Phadke, where he discusses the legal systems in ancient India.










