हृदयकुहरमध्ये केवलं ब्रह्ममात्रं
ह्यहमहमिति साक्षादात्मरूपेण भाति |
हृदि विश मनसा स्वं चिन्वता मज्जता वा
पवनचलनरोधादात्मनिष्ठो भव त्वम् ||
Author:Shatavadhani Dr. R. Ganesh
प्रीतिं ददाति विपुलां श्रियमातनोति
निर्माति नूत्नसमयं दुरितं धुनोति |
आर्द्रीकरोति हृदयान्यपि देवतानां
कस्मै शुभाय न भवेत्कविता विदोषा ||
जगतीधरजामाता भवतां भव्याय भूयसे भवतु |
कञ्चिदकिञ्चनमपि यद्वीक्षा विदधाति शक्रसमम् ||
कुलीनः क्षुद्राय प्रवर इति धत्ते निजसुतां
अनार्यान् विज्ञाश्च प्रभव इति गायन्ति शतशः |
बलं बाह्वोर्लुप्तं हृतमपि च वाग्वीर्यमरिभिः
दशां देशस्यैतां प्रतिपदमयं ध्यायति जनः ||
सुधाधिक्यं स्पृहेच्छत्रुः
फलाधिक्यं स्पृहेद्भिषक् |
पत्राधिक्यं स्पृहेज्जाया
माता तु त्रितयं स्पृहेत् ||
सत्वरकवितासविता कश्चिद्गौडोSहमम्बिकादत्तः |
गणपतिरिति कविकुलपतिरितिदक्षो दाक्षिणात्योsहम् ||
Kāvyakaṇṭha Vāsiṣṭhagaṇapati-muni was good at composing poems even at a very young age. He excelled at composing poetry at an unimaginable pace. In his early years, he travelled to Navadveepa in Bengal to participate in poetry competitions. Navadveepa, which was full of people belonging to the Navīna-nyāya school of thought, hosted a poetry competition in the year 1823 ACE. (on the jyeṣṭha aṣṭami).
Legends, Stories from Mythologies - Religious Rites, Rituals
As legends, mythological stories, religious rites and rituals intertwine with each other in many instances, I would like to present these under one title.
ध्वस्थप्रध्वस्थमनुजा क्षतविक्षतविग्रहा |
कीर्णप्रकीर्णपर्यन्ता नासिकेSयं भविष्यति ||
Translator’s Note: This was written by the iconic D.V. Gundappa in May 1972 as a preface for the volume titled Vaidikadharma Sampradaayastharu (Traditional Vedic Scholars) forming part of his acclaimed Jnapaka Chitrashaale (The Art School of Memories) series that first appeared in the daily “Kannada Prabha.” Translated by Sandeep Balakrishna.
The pages that follow are an attempt to bring to notice how a certain portion of our society lived.
ಅಡಿಗರ ಪ್ರತಿಭೆ ಮತ್ತು ವ್ಯುತ್ಪತ್ತಿ:
ಇದುವರೆವಿಗೂ ಅಡಿಗರ ಕಾವ್ಯ ಶೈಲಿ ಮತ್ತು ಅಭಿವ್ಯಕ್ತಿಯಲ್ಲಾದ ಸ್ಥಿತ್ಯ೦ತರ, ವಿರೋಧಾಭಾಸ ಮತ್ತು ಅನೌಚಿತ್ಯಗಳನ್ನು ನೋಡಿದ ಮೇಲೆ, ಇವೆಲ್ಲದರ ಹೊರತಾಗಿ ಅಡಿಗರ ಕಾವ್ಯಗಳು ನಮ್ಮನ್ನು ಸೆಳೆಯಲು ಕಾರಣವಾದ ಅವರಲ್ಲಿದ್ದ ಅಪ್ರತಿಮಪ್ರತಿಭೆ ಮತ್ತು ವ್ಯುತ್ಪತ್ತಿಗಳನ್ನೂ ಅದರಲ್ಲೂ ಮುಖ್ಯವಾಗಿ ಭಾರತೀಯ ಪರ೦ಪರೆ, ಪುರಾಣೇತಿಹಾಸದ ತಿಳುವಳಿಕೆ ಮತ್ತು ಕಾವ್ಯಗಳಲ್ಲಿ ವಿವಿಧ ಚಿತ್ರಣಗಳ ಮೂಲಕ ಪುರಾಣಗಳ ವಿಷಯವನ್ನೋ ಪಾತ್ರಗಳನ್ನೋ ಬಳಸುವುದನ್ನು ನೋಡೋಣ.