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Chinmaya Summer School 2017 - Day 5

Day 5, Session 1: Meghadutam

Shatavadhani Dr. R Ganesh

Kalidasa cannot be compared with anyone – he is totally unique, totally Indian. He is the ideal poet – one who observes keenly both the outer and inner worlds. He is like a scientist, a naturalist, and a businessman the way he astutely sees the external world. He is like a seer, a philosopher, and a scholar the way he calmly regards the internal world. By observing the world outside, we get the details; by observing the world within we get the emotional connections.

Chinmaya Summer School 2017 - Day 4

Day 4, Session 1

Shatavadhani Dr. R Ganesh and Dr. Nagavalli Nagaraj

Dr. Ganesh started out by mentioning about the all-pervading influence of Vyasa, Valmiki, and Kalidasa on all aspects of Indian life and culture. While the story of the Ramayana moves in a longitudinal manner, from North to South and back to the North, the story of the Mahabharata moves in a latitudinal manner, from East to the West. Thus in the movements of Rama and Krishna, all corners of India have been covered. And Kalidasa connects all these in his writings.

Chinmaya Summer School 2017 – Day 3

Day 3 started on a bright note with Dr. Ganesh speaking about the beautiful qualities of the two great epics as well as Kalidasa's creation, followed by Shashi Kiran's wonderful presentation of the seven sections of the Ramayana. The post-lunch session had a riveting presentation on Kalidasa's Kumarasambhavam by Arjun Bharadwaj and a wonderful audio-visual presentation by Nirupama Rajendra about the dance ballets produced by Abhinava Dance Company. The day ended with a fabulous Carnatic classical concert by Dr.

The Influence of Bengal on Kannada Literature

In its history of more than a thousand years, Kannada literature’s most recent golden age came in the 20th century with the advent of the Navodaya movement, which can be called as the ‘Kannada literary renaissance.’ Many of the poets and writers of this era were polyglots and they drew from the rich cultural streams of regional language writings, thus adding to the perennial river of Indian literature.

Chinmaya Summer School 2017 – Day 2

The second day of the Summer School jointly organized by Chinmaya Vishwavidyapeeth and Chinmaya International Foundation took the participants into a wonderful journey into the past. Starting off with an overview of the poets, it took everyone on the path of Rāma, helped them make friends with Kālidāsa and Guṇāḍhya, gave an artistic and insightful glimpse into the Pañcatantra, and finally concluded with a wonderful Hindustani classical music performance by Swapnil Chaphekar and Pramodini Rao.

Chinmaya Summer School 2017 - Day 1

Chinmaya Vishwavidyapeeth and Chinmaya International Foundation have jointly organized a ten-day Summer School from 17 to 26 June, 2017 to realize the spirit of Indian culture through the creations of Vyāsa, Vālmīki, Kālidāsa (and Guṇāḍhya) at the Adi Sankara Nilayam, Veliyanad. The Summer School is support by Indian Council of Philosophical Research. Prekshaa is delighted to present a daily summary of the discussions over the course of the next ten days.

Hanagal Virupaksha Shastri: Scholarship and Method of Instruction

Lessons in Brahmasutra Commentary

I had requested Sri Shastri to instruct me in [Adi Shankara’s] commentary on the Brahmasutras[i]. Equally, I had requested him to train me in two or three other Vedanta commentaries that I hadn’t seen so far, and entreated him that I had set aside two years for this Shastric study. He said that that period was insufficient. I said, “Let it go on for two years; if required, we can extend it for an additional six months.”

Tipu's Savagery in Coorg

Known as Kodagu in Kannada, Coorg is a picturesque hill-country forming the Southern tip of Karnataka. It forms the border between Karnataka and Kerala, and is in many ways, the gateway to the Malabar region in Kerala. Today it is primarily known for its scenic beauty and spectacular views of thickly-forested mountain ranges, valleys, waterfalls, and sprawling coffee estates.

The Tradition of Kshaatra in India – Awareness of Kshaatra in the Arthashastra

Kautilya absorbed the best from the system of republics; he also brought back the ashvamedha conception of an empire. Both these conceptions have their roots in the Vedas. One must observe how broad and overarching the concept of yajna has been in the Hindu worldview. And one who is opposed to this broadminded concept of yajna is bound to face trouble. Philosophically, the inner yajna is superior to the external, ritualistic yajna but the former cannot exist without the latter. We need both.

Nirvāṇa Ṣaṭkam: Six Verses on Liberation

Among the various methods of reasoning in Vedanta, the neti neti krama is an important one. It helps delineate the nature of the Self by pointing out what it is not. A well-known poem that uses this approach of ‘Not this, not this’ is the Nirvāṇa Ṣaṭkam. While the popular belief is that these six verses were composed by Śaṅkara, scholars like G C Pande and Swami Satchidanandendra Saraswati have opined that it is unlikely because several words used in this stotra have not been used regularly in his commentaries and other writings.