Culture

The Foundation and Value of Language Education

This is a translation of the author’s original Kannada essay titled “ಭಾಷಾಬೋಧಕಗಳ ನೆಲೆ-ಬೆಲೆಗಳು” published in his work, Bhashabhrungada Benneri.

Translated by Sandeep Balakrishna.

I had averred earlier that one of the tragedies of today is the fact of not prescribing evocative literature at the level of primary school instruction.

Chinmaya Summer School 2017 - Day 8

The day began with Shashi Kiran's session on appreciating Sanskrit through subhashitas and ended with a wonderful dance performance by Ramaa Bharadvaj titled Mitra, which dealt with the friendship between Krishna and Sudhama. This was followed by a creative appreciation of the dance with the artist having a discussion with Arjun Bharadwaj.

Day 8, Session 1: Mahabharata

Shatavadhani Dr. R Ganesh

Chinmaya Summer School 2017 - Day 7

Day 7

The day began with a trip to Fort Kochi, followed by a visit to the Paradesi Synagogue, the oldest active synagogue in India, which was built in the 16th century. After some shopping on Jew’s street, the participants visited Hill Palace in Tripunithura, which is the largest archeological museum in Kerala. At one point, it was the official palace of the Cochin maharajas. It was built in the middle of the 19th century. After a traditional Kerala lunch, the participants returned to the Chinmaya Eswar Gurukula campus.

Chinmaya Summer School 2017 - Day 6

Arjun Bharadwaj started off the day’s proceeding with the fourth session of kavya-samskrtam, which has been a regular morning activity of the summer school. In this session, Shashi and Arjun have helping understand and appreciate the beauty of a few Sanskrit verses. In today’s session, Arjun covered five verses from Lilashuka’s Krishnakarnamrtam. While explaining the nuances of the verse with respect to grammar, prosody, etc. he also brought out the various suggestions (dhvani) in those verses.

Chinmaya Summer School 2017 - Day 5

Day 5, Session 1: Meghadutam

Shatavadhani Dr. R Ganesh

Kalidasa cannot be compared with anyone – he is totally unique, totally Indian. He is the ideal poet – one who observes keenly both the outer and inner worlds. He is like a scientist, a naturalist, and a businessman the way he astutely sees the external world. He is like a seer, a philosopher, and a scholar the way he calmly regards the internal world. By observing the world outside, we get the details; by observing the world within we get the emotional connections.