B.A. Saletore: A Profile

This article is part 1 of 8 in the series B.A. Saletore

Note: This is the full text of a lecture delivered on the historical scholar extraordinaire Sri Bhaskar Anand Saletore under the auspices of the Gokhale Institute of Public Affairs and Prekshaa Pratishtana, which had jointly organized a lecture series titled Exemplars of Indian Wisdom from Karnataka.

Section 1: Life and Career

In Kannada, Bhasker Anand Saletore signed and printed his name as Bhaskara Ananda ಸಾಲೆತ್ತೂರು. But he is widely known as Saletore, the village he was born, in 1900. Saletore is located near the Puttur taluk in South Canara. To begin with, we can quickly examine some major milestones in his life and career.

Sri B.A. Saletore completed his early schooling in Mangalore. Then he moved to Madras, took a Bachelors in Teaching, returned to Mangalore, and taught at a Government school for about three years. After this, he enrolled for an M.A. degree at the St. Xavier's College, Bombay and quickly distinguished himself as a brilliant student. He majored in history under the direct tutelage of Father H.A. Heras, who encouraged him to pursue higher studies. Accordingly, Saletore landed in England and enrolled for a PhD at the University of London. The famed British orientalist, and scholar of ancient Indian history and epigraphy, Lionel David Barnett was his guide, who encouraged this diligent and talented student. Till the end of his life, Saletore had a very high regard for Barnett. The result of Saletore’s scholarly studies in England was the publication of his seminal, two-volume treatise titled Social and Political Life in the Vijayanagara Empire in 1931. This thesis got him the doctorate award from the University of London. Not content with it, he moved to Germany where he received a second doctorate in Political Science from the University of Giessen, Germany in 1933. He was decorated as the Alexander von Humboldt Stiftung Scholar.

Saletore returned to Bombay in the same year (1933) where he stayed for some years before formally starting his career as a professor of history at Parshurambhau College in Pune in 1938. He later worked at the Lalbhai Dalpatrai College, Ahmedabad, affiliated to the Ahmedabad University.

In 1952, he was appointed as the Chairman of National Archives of India, retiring in 1957. Thereafter, he started his tenure as the founding President of the Post Graduate Department of Indian History and Culture, and finally as the director of the Kannada Research institute at Karnataka University, Dharwad.

Saletore unfortunately left the mortal world in 1963, at the relatively young age of 63 years.

***

Now, the chief difficulty that confronts a person curious to learn more about Saletore’s personality and interesting details of his career via anecdotes, etc., is the sheer paucity of information. This is sharply unlike other exemplars of Indian wisdom from Karnataka like M. Hiriyanna, Dr. S. Srikanta Sastri, D.V. Gundappa, and S.K. Ramachandra Rao about whom we have a wealth of enriching, humorous and ennobling anecdotes.

A major reason for this paucity is the fact that Saletore spent most of his working life outside Karnataka and he has not left behind an autobiography. In this context, I must offer my profuse thanks to Dr. S.R. Ramaswamy whose surprise postal deliveries have now become legendary. On several occasions, I have been pleasantly thrilled to find hard-to-locate papers and other material related to Saletore lying on my desk at home, all sent by Dr. Ramasway. I also extend my gratitude to Shatavadhani Dr. Ganesh who guided me on several valuable aspects of Saletore’s work to me. From all that material, the following are some of the major milestones of his illustrious legacy that I could cull out.

The Vijayanagara Sexcentenary Celebrations

In 1936, Saletore was invited to Hampi as a distinguished guest to participate in the sixth centenary celebrations of the founding of the glorious Vijayanagara Empire. He earned this distinction by the dint of sheer scholarship and dedication.

The backstory to this event is quite thrilling.

It all began five years earlier, in 1931, the year that Saletore earned his doctorate. The idea for the celebration was initiated by P.N. Bengeri, a scholar from Hubli. Accordingly, an association named Vijayanagara Empire Sexcentenary Association was formed at Dharwad in 1933. Its aims were ambitious. Over the next three years leading up to the actual celebration at Hampi, the Association would bring out various publications in different languages highlighting the multi-faceted accomplishments of this grand Hindu Empire. Simultaneously, it would conduct seminars and conferences and cultural events in various parts of Karnataka and Maharashtra, extolling the “best days of the Vijayanagara Empire.” The climax would be fittingly unveiled in Hampi, the capital.

Thus, the first conference was held at Hubli in 1933 under the presidentship of DVG, the second in Raichur in 1934 under the presidentship of M.S. Sirdar, and the third in Bombay in 1935 under the presidentship of Bhasker Anand Saletore.

From December 25, 1936 onwards, a massive cultural and historical exhibition was held in Hampi spread over several days. Some of its prominent attendees and well-wishers included the Rani of Anegondi, the Raja of Sawantwadi, K.P. Puttanna Chetty, C.P. Ramaswamy Iyer, C.Y. Chintamani, M.R. Jayakar, Pattabhi Sitaramayya, and Mirza Ismail.

Its culmination was the publication of the invaluable Vijayanagara Sexcentenary Commemoration Volume under the joint auspices of the Vijayanagara Empire Sexcentenary Association and the Karnataka Historical Research Society, Dharwad. It is a majestic volume of 500 pages, and still remains a collector’s prize both for the scholar and the layman, containing a wealth of thirty-two essays on Vijayanagara. Its topics span an extraordinary range: art, sculpture, literature, music, politics, war, society, economics, Krishnadevaraya, and more importantly, suggestions for future scholarship and research on Vijayanagara. Authors were drawn from a galaxy of stalwarts including C. Hayavadana Rao, S. Krishnaswami Iyengar, S. Srikantaiah, Raghavacharlu, G.H. Khare, G.S. Dikshit, M.H. Krishna, S. Srikanta Sastri, V. Raghavan, and last but not the least, B.A. Saletore.

Other Milestones

The next milestone in Saletore’s career was in 1953 when he represented India at the Congress of Archives held in The Hague.

Then, in 1957, he was appointed as the President of the Conference on Indian History held at Dharwad. This was also the year when he became the founding president of the newly-established chair of Indian History and Culture at the University of Dharwad. His presidential address on the occasion still remains a masterclass in developing a perspective on Indian history, as we shall see later.

The other great legacy of Saletore was his distinctive eminence as a teacher, in the tradition of a Guru. It is said that one of the hallmarks of a good teacher is his flair for making learning effortless. This reminds us of Ananda Coomaraswamy’s memorable phrase that “from the earliest times, Indians have thought of the learned man, not as one who has read much, but as one who has been profoundly taught.” And so were Saletore’s students profoundly taught. Among others, two eminent names come to mind: the first is Dr. G.S. Dikshit who continued and made precious contributions to Vijayanagara research following Saletore’s path; the second is the late Suryanath Kamath, perhaps the last iconic historians of Karnataka chiseled in the mould of his Guru. Smt. Jyotsna Kamat, another direct disciple of Saletore gives us a superb anecdote regarding his teaching method in the classroom:  

I had the unique privilege of being his student in M.A. He was a wonderful orator, though not a teacher in the conventional way. His lectures would be full of anecdotes and scintillating humor though not necessarily confined to the subject of study. He was in Germany when Hitler came to power and he used to tell us how his teacher was the first to be jailed. Hitler's public meetings which he attended were dramatic and electrifying. Saletore laid great stress on the military and material strength to be developed by any country. He used to make passing references that India currently was not strong militarily and for a weak nation, the ideology of democracy may spell danger. Pat came Chinese aggression in 1962 and we could see how prophetic our professor was.

The note on the Chinese aggression of India reminds me of an anecdote about Saletore that Dr. S.R. Ramaswamy once told in his inimitable narrative style. Throughout his working life, Saletore was a staunch and unafraid critic of Nehru, and regularly warned his students about Nehru’s serial blunders. In Dr. Ramaswamy’s words, “he went hammer and tongs against Nehru…he used to bury him alive.”

To be continued

   Next>>

Author(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...