Prof. S K Ramachandra Rao - Savyasācitva

Bhāmaha writes the following in his Kāvyālaṅkāra

upeyuṣāmapi divaṃ sannibandhavidhāyinām|

āsta eva nirātaṅkaṃ kāntaṃ kāvyamayaṃ vapuḥ ||

“Many people who wrote excellent poems have gone to the svarga. However, their beautiful, poetic body will remain here for ever.”

The above statement is quite popular in scholarly circles.

Reminiscent of this statement, Prof. S.K. Ramachandra Rao’s yaśaḥ kāya –body of fame has remained with us through his immortal works.

A person who has gained mastery over varied disciplines and has contributed immensely to them all is usually called a ‘Renaissance Man’. Vidyālaṅkāra Śāstracūḍāmaṇi Vācaspati Vedaratna[1] S.K. Ramachandra Rao who lived amongst us and left to his heavenly abode around fourteen years ago is one such rare stalwart. He was the emperor of the world of scholarship for about six decades. Thinking of his many-sided scholarship, we can consider him as a representative of scholars of the calibre of Appayya Dīkṣita. He belongs to the tribe of scholars who were polymaths. If we have to start listing the areas in which Ramachandra Rao possessed deep scholarship, we will need to name all the Vedas, Vedāṅgas, all darśanas, various śāstras, literary works, classical music, dance and various other forms of art. He was not only a scholar of arts but he was a sculptor, painter and a veena player himself. His father Krishna Rao was well versed in painting and sculpture as well.

Ramachandra Rao not only had scholarship in the Vedic lore, but was also had deep scholarship in Jaina and Bauddha darśanas – a combination that is rarely found in our tradition. Talking about the authority over śāstras – Ramachandra Rao had spoken about śāstras to yatis belonging to different paramparās – Śāṅkara, Rāmanujīya and Mādhva. It is needless to mention the expertise he possessed in Manaśśāstra (psychology) and Āyurveda (Medicine), which were his areas of specialization.

Although he had such a high intellectual calibre, never did he parade his learning. He was extremely simple in his appearance and lifestyle. There are no words to describe his good-hearted nature. He would interact with equal ease with laymen and with great scholars. Rao was so friendly that everyone felt that he was easily accessible and their doubts could gain satisfactory clarifications from him.

There were a large number of scholars two generations ago than today. Nevertheless, few were so versatile as Ramachandra Rao. Though there were other stalwarts, their work and contribution are limited to three or four domains at the most.

Savyasācitva - Ambidexterity

On a close examination of the many millennia of scholarly tradition of India, the following fact stands out: there are two strands through which scholarship has been inherited - the first is the oral tradition and the second is written literature. In the early days, all kinds of learning took place only in the oral tradition.  Attainment of scholarship in śāstras was largely in the guru-śiṣya-paramparā. For several centuries, written literature only played a secondary role. There was quite a lot of robustness and thoroughness due to the presence of the oral tradition. There was so much of perfection that it was believed that only the oral tradition was the authentic mode of transmission. The mark of scholarship in any branch was to have memorized the entire works. About two centuries ago, there was no simple technology to print books. Whenever it was inevitable, one had to write down everything with hand.

There is yet another aspect. The world of śāstras is very vast. It is very difficult to put it all down on paper in the form of words. Though one might have documented some elements, large amounts of details remained only in the oral tradition. Even from this perspective, written literature only had secondary importance in our tradition. Therefore, the focus of the education system for several centuries was in passing on knowledge in the oral tradition. There was probably one person among hundreds who paid any attention to documenting his learning in the form of a book. However, it is only those who have actually written works whose names get to be recorded in the history of development of literature. A large number of our ancestors hardly wrote a work and a majority of them spent time in learning and teaching in the oral tradition. Their names have been lost in the torrents of time.

The above is a brief account of the scholarly tradition of India.

There is yet another thing that needs mention. One cannot say that a person who possesses scholarship also has the skill to author books. It is a well-known fact that only one person in a lakh can write well on topics related to śāstras or other worldly lore. It is rare to see scholarship and writing skills both blended together in the right proportions. T.N.Srikantaiah famously said – ‘Reading is an enemy of writing’. It is but natural that as a person attains greater heights of scholarship, he starts losing interest in writing and in participating in worldly affairs.

Even with this background, we cannot deny that in today’s world, for the sustenance of our tradition, printed medium is one of the main tools to rely upon. Oral teaching and learning are less prevalent than they were before.

 When we keep this background in mind, we will get to know to some extent, the importance of the veritable treasure-trove of literature that Ramachandra Rao has left behind him.

One of the greatest advantages that Ramachandra Rao had was the multifaceted nature of his scholarship. The depths and heights of his scholarship were both unparalleled. We may be able to find scholars who have mastered one or two branches of śāstra. It is rare to find a person like Ramachandra Rao who had assimilated so many areas of learning. Rare too were writers who achieved such a degree of finesse in writing. Rao’s writings are special because of this quality. Moreover, because of his immense talent, he was able to write with authority on several different topics.

His mind and his intellect were both cultured and sculpted by the śāstras. Therefore, it was impossible for him to speak or write without credibility and accuracy. It is hard to find people who could write with his attention to detail and with a perspective of the whole. He has left behind him works that can make a person awestruck for several different reasons. How can we not feel grateful for the labour of love that he undertook?  In the history of mankind, people like Ramachandra Rao are seldom found. Such a wonder walked amidst us, during our own times and right in front of our eyes. This is a great fortune, indeed.

Dedication to the Transmission of Knowledge

I have to mention yet another aspect. Though he had the background of both traditional and modern knowledge systems, writing and lecturing are skills he developed by putting in great efforts. The knowledge that he had gained through hard work was to be useful to the society. With this kind of dedication in his mind, he took up the job of teaching. His writing that first started like a few dewdrops then grew to become a gushing river.

Because he had the deep-rooted feeling that whatever he did had to be the best in its quality, he put in efforts to practise and to get used to writing well. When we compare his early writings to the later ones, this becomes clearer. It should be said that writing in Kannada was quite difficult for him in the early days. For example, ‘Tibetina Yogi Milarepa[2], one of his first Kannada writings was published in the weekly Janapragati in a serialized form in 1954. From the essay, it can be seen that he was still struggling with the language and style.

However, his period of ‘apprenticeship’ with writing was of a short duration. He got used to writing good Kannada in no time and developed a lucid style of his own. Every reader was sure that an article or a booklet that emerged out of Ramachandra Rao’s pen was insightful, credible and worth collecting. His writings were held in the highest regard by the lay and the learned alike.

Only a small number of people can access the original śāstras in the Sanskrit language and even a smaller number can actually understand and assimilate them. However, a secondary work that contains knowledge from the śāstras can be useful to everyone. Therefore, there is a significant need to introduce classical works that have come down the millennia to today’s generation in a manner that it can relate to. It wouldn’t be an exaggeration to say that there is none other who performed this task in the measure that Ramachandra Rao. “I sometimes wonder if I did all this myself!” he often exclaimed.

~

Ramachandra Rao (born on 4th September 1925) is the author of over a hundred works. We, perhaps, might need to say that he has got over two hundred works to his credit. His independent works that were published between 1948 and 2005 in both English and Kannada languages are about a hundred and fifty in number. In addition to this, he has authored three volumes of Medical Encyclopaedia, twelve volumes of āgama-kośa, six volumes of pratimā-kośa and sixteen volumes of Ṛgveda-darśana – each a Himalayan task in itself. The production of works of this quality and quantity will need decades-long efforts of many groups of scholars working together. However, Ramachandra Rao achieved all this single-handedly in a span of about twenty years. In most cases, he did not even have a scribe to assist him. He wrote most of his works by himself in long-hand. Though his hand-writing consisted of small letters that were tightly packed together, there would be no scratches or edits in them. Just like his lectures and deliberations on the śāstras, his writings were also neat, clear and organized. Once he had written something, there was hardly any need for any kind of corrections. He would have thoroughly studied and thought about everything that he needed to write. The canvas over which he wrote his books was a robust one. Yet, the writing had to come out on paper. Looking at the number of books and the innumerable independent articles authored by Ramachandra Rao, one will only feel amazed and wonder – can a person achieve so much in a single lifetime!

 

To be continued...

The current article is an English adaptation of the Kannada original which has appeared in the Dīptaśṛṅgagalu, authored by Nadoja Dr. S R Ramaswamy. Thanks to Sri Hari Ravikumar for his edits. Full form of the article is a part of 'A Tapestry of Pen Portraits' published by Prekshaa Pratishtana in December 2020.


[1] These were his honorific titles

[2] Milarepa, a yogi from Tibet

 

Author(s)

About:

Nadoja Dr. S R Ramaswamy is a renowned journalist, writer, art critic, environmentalist, and social activist. He has authored over fifty books and thousands of articles. He was a close associate of stalwarts like D. V. Gundappa, Rallapalli Anantakrishna Sharma, V Sitaramaiah, and others. He is currently the honorary Editor-in-Chief of Utthana and served as the Honorary Secretary of the Gokhale Institute of Public Affairs for many years.

Translator(s)

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...