DVG has analyzed the major characters of the Mahābhārata in a long essay. His sublime analysis includes discussions on kāla, ṛta and conflicts that arise in the transition from one age to another. This is an exposition that befits the epic dimension of the Mahābhārata.
In the early 1940, when the Western world was at the acme of its materialistic success, Sastri wrote these visionary words – “In the history of the world, it is only Hinduism that gave not only to India but also to all her neighbours an organic conception of society based upon economic as well as spiritual needs. It is the very antithesis of ‘the principle of accumulation based on inequality’ which is a vital part of the Western order of society. It recognized frankly the hard fact that perfect equality in all spheres is impossible of attainment.
DVG never sought recognition. When the Jnanapith Award was first instituted, Maṅkutimmana Kagga, one of his major works, came before it for consideration. When one of his friends was indignant about this work not winning the award, DVG replied in his characteristic self-effacing, humorous manner: “Why do I want a lakh of rupees? Do I not look well-fed?” He went on to make a profound observation: “The idea of competitive prizes for literature is basically absurd. My whole nature rises in revolt against it. Valmiki and Vyasa and Potana and Thyagaraja are our ideals.
Sastri’s students recall that he never came late for a class nor did he ever leave early. He would start off by dictating notes, which were precise and dense. Every now and then he would stop and elaborate on a point, giving explanations and clarifications. Owing to his partial deafness, he found it a challenge to listen to questions posed by students and so it appears that he cultivated the art of anticipating the question that the student would ask and answer it even as the question was being posed!
V Si. and Shastry always got their writings reviewed by the other. They would exchange ideas and opinions, mainly for their own clarity. Those were the years of great joy for both. V Si, in his pen portrait of Subrahmanya Shastry writes, “Whenever I recollect the discussions on literature we both had, I feel that the company of a person like him makes life light and easy…. I had never found that kind of friendliness elsewhere”.