P. S. Shivaswami Iyer - Part 1

During 1934-35, during Sir Mirza Ismail's term as the Diwan of Mysore, there were many prominent men from Madras who would come to Bangalore to spend their summer here. P S Shivaswami Iyer was one such person. His ancestors belonged to aristocratic and affluent families and thus Shivawami Iyer was well off even by birth. Just as the saying goes, "Śucīnāṃ śrīmatām gehe," he was born to a wealthy family yet a noble, dignified, and morally upright one.

Shivaswami Iyer was a famous scholar in three different streams. Sanskrit, English, and Nyāya (ancient Indian logic) were his fields of expertise. He cleared the BL examination in Madras and secured first class marks. He even stood first in his class and it was a great honour those days to secure the top marks.

It would not be out of place to recall his favourite associates – A S Srinivasa Shastri, T R Venkatarama Shastri, K B Ramanatha Iyer, G A Natesan, T Rangachari, and Sir S Varadacharya. They often met Shivaswami Iyer when he was in Bangalore.

Shivaswami Iyer was a lawyer by profession and earned great fame in no time. He later grew up to the ranks of an Advocate General and was nominated as a Member of the Legislative Council and he also served as the Governor for a few years.There is nothing in particular to be said about his tenure as a government official. I think he possessed three major qualities that  shaped his character. They were:

  1. Sincerity
  2. Scholarship
  3. Commitment to goodness.

Craving for Knowledge

There is a lot that can be said about his craving for knowledge. He stayed for about three to four months in Bangalore every year. While in town, he spent his evenings in Lal Bagh. There was a pre-determined place for him to sit and relax, either in the Northeast or the Northwest direction of the glass house under a thick canopy of trees. The Lal Bagh officials arranged about four or five benches in a circular fashion in that area. This was done, probably, under the directions of Sir Mirza Ismail. There were others who gathered there when Shivaswami Iyer was around. They were amongst the most prominent people of Bangalore. The group included Judge G Srinivasa Iyer, Chief Engineer Srinivasa Iyer, Deputy Director of Public Instruction D Venkataramayya, Sub-judge T Vasudeva Rao, Prof. C R Narayana Rao and Dr. C B Rama Rao. There were about seven or eight others who regularly joined them too. Among those who came from Madras were Lawyer Govindaraghava Iyer, N Subbarao Pantulu, and T Rangacharyu. This group of friends usually spent the hours in casual conversations and at times also involved in heated debates on everyday topics.

One day, V S Srinivasa Shastri and T R Venkatarama Shastri joined the group. Srinivasa Shastri was younger to Shivaswami Iyer in his age. Venkatarama Shastri was younger to Srinivasa Shastri and was like a student of Shivaswami Iyer, having done his apprenticeship in law under the latter’s guidance. In those days, Sir S Varadacharya, Federal Court Judge, worked with Shivaswami Iyer in the same office.

That evening, when the three of them met in Lal Bagh, a certain topic was taken for discussion. Under some context, Shivaswami Iyer recalled something related to the topic under discussion and asked Srinivasa Shastri;

“Mr. Sastri, I gave you that book of Millikan’s. What have you done with it?”

Shastri grappled for words and seemed to have got caught unaware.

Shastri (to me, seated next to him) "Phew! Here comes the investigation!" (he whispered, and spoke out loud, in Tamil) – “Millikan goes over my head, sir! I am lost!”

Shivaswami Iyer: Why do you find it difficult?

Shastri: It is all Physics, far beyond me.

Iyer: Why do you say so? You took a medal in Physics?

Shastri: What value does my medal have today? That is a tale, fifty years old. Physics has grown beyond recognition today. I don’t think my learning has any relevance today.

Iyer: (With a sigh) Alright. Where is my book now?

Shastri: As I thought it is beyond me, I handed it over to Venkatarama Shastri. He is still young, after all.

Iyer: Venkatarama Sastri, what have you done with the book?

Venkataramana: I tried to read it, but had to give it up as far beyond me.

Iyer: (With a mild laughter) You stood first in first class of Mathematics, didn’t you? You could have put in more time and effort in the book?

V: The Mathematics I studied during my BA is no match for today’s Mathematics. Millikan is a great scientist and a profound thinker. He is an expert at Astrophysics. Do you think I will understand the Mathematics he uses?

Iyer: Forget it then; where is my book?

V: I will give it back to you once we return to Madras.

Iyer: When the two of you have said so, I will need to look for someone else now. Who else is there? There does not seem to be anyone suitable in the Presidency College.

I : Why do you go out of your way to understand the book at this age? What do you have to gain from reading Millikan?

Iyer: Why do you say so, sir? Knowledge keeps growing and you ask me what I need knowledge for? Millikan has come up with new theories related to the formation and dynamics of the universe. I would like to examine how it matches with our ancient system of Jyotiṣa. Don’t we need to see if it is in accordance with our Vedānta or if it differs from it? What have I asked for in the first place, after all? I only asked them to go through the work and explain it to me in sum!

Everyone had a hearty laugh but at the same time, everyone quickly turned silent. We were amazed by the thirst for knowledge the man of 80-85 years had! The kind of enthusiasm he had for knowing about new discoveries was unmatched. We were astonished by his personality.

I will speak of another one of his character traits.

Once, during one of Venkataramana Shastri’s several visits to Bangalore, he had taken a room on the first floor of the Modern Hindu Hotel. That evening, I went with him for a walk to get some fresh air. After the walk, as supper time neared, he said, “Have your dinner with me. I will accompany you once we finish eating.”

Accordingly, we ate together and then sat in the car to leave. It was a full moon night and was close to eight in the evening. Shastri said, “You're anyway heading towards Basavanagudi. Let us pay a quick visit of about ten minutes to Shivaswami Iyer's place.”

As he spoke this, we had neared the hotel’s exit gate. Shastri asked the driver to slow down the car and to stop by the gate. He jumped off the car and rushed into the hotel. I watched him as he hurried away. After a couple of minutes, Shastri came back and got into the car. He said, “I went in to turn my panche (dhoti) into a kacche (a certain style of wearing the lower garment). Panchakacham is a must when you visit Shivaswami Iyer. If not, he won't like it!”

Dedications to Studies

Shivaswami Iyer was staying as a tenant in Srinivasa Iyengar’s house during one of his visits to Bangalore. As soon as he saw us, he said, “Oh! …wait for a bit. Please sit down here. I'm listening to the radio. I will see you once the program gets over.”

After about five minutes he came to the place where we were seated. As he came, he said, “Subash Chandra Bose’s speech was being broadcast on the radio. He has made thirteen important points in his speech. The first one goes thus … something which we all agree upon. The second one says: this is somewhat acceptable. His third point cannot be accepted at all. I find his fourth point to be an exaggeration…”

In this way, he read through all the thirteen points he had jotted down on his scribbling pad and told us his thoughts which betrayed his deep analysis. Such was his nature. From whatever he read or heard, he would filter out the best and the distilled summary, with his critical thinking would be delivered to us. He would mark the most important word and the most important aspect of whatever he came across and note them down in a piece of paper. He would think and rethink on the subject several times. It is because of this nature, there was no unnecessary speech, exaggerations or words that would fill the ears leaving nothing behind in the brain. The two words that he spoke would bear tremendous meaning and would carry weight.

To be continued...

This is the first essay in D V Gundappa’s magnum-opus Jnapakachitrashaale (Volume 6) – Halavaru Sarvajanikaru. Thanks to Hari Ravikumar for his edits.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...