The Guiding Philosophy of Ayurveda

This is the full text of the author’s paper presented at the National Seminar of the Indian Council of Philosophical Research held in Bangalore in September 2016.

Ayurveda, like any other science, is not a finished product; it is an evolving medical tradition. Its evolution has been characterised, since inception, by two fundamental attributes – one, a natural alignment with the Vedic worldview of Sanatana-Dharma in matters relating to both health-promotion and illness-management; and two, an unmistakable emphasis upon rationality (yukti-vyapashraya) in both science-making and medical practice. These two attributes may together be taken as constituting the guiding philosophy of Ayurveda.

Ayurveda’s Natural Alignment with the Vedic Sanatana-Dharma

The cultural milieu in which Ayurveda originated and flourished has had a ubiquitous influence upon all its aspects. It reverentially acknowledges this influence by calling itself the upaveda of Atharvana-Veda. Classical liberalism that marks Vedic culture provided Ayurveda with the most fertile ground for the development and ripening of its scientific thought. Ayurveda's approach to its central concerns of health-promotion and illness-management is reflective of this philosophical influence.

Though health, for all practical purposes, has been seen as a state of psycho-somatic wellness, it is in its pinnacle recognised to be a spiritual phenomenon. This phenomenon, identical with the Vedic ideal of atma-jnana (self-discovery), is the irrevocable state of complete fulfilment and as such is reckoned to be the absolute state of health, distinguishable from its relative variant that Ayurveda generally concerns itself with.(1)

The practical bearing of this idealistic view is that it makes healthy living inextricable from righteous living (dharma). It should be noted here that Ayurveda’s conception of dharma, like that of Vedic culture, is not bound up with any rigid system of belief. That the best traditions of Indian thought have never adopted a dichotomous approach to science and religion, that Vedanta, for instance, has been seen as the science of religion, accounts for this universal character of dharma.(2) Vagbhata succinctly casts the idea  by saying that dharma acquires its validity primarily by its being conducive to man’s abiding happiness.(3) It is this harmonious pursuit of dharma, artha and sukha that is pivotal to Ayurveda’s conception of right living.(4) That Rasayana and Vajeekarana tantras devoted respectively to ensure youthful ageing and sexual fulfilment exist as two full-fledged medical branches eloquently attests to the fact that classical Ayurveda advocated a zestful pursuit of life and its pleasures. But, this pursuit is to be tempered by an incremental understanding that “all world is pain” and that abiding happiness is to be found only in self-knowledge. Both Charaka and Vagbhata expressly state that this inward march towards self-discovery is the real key to mental wellness.(5)

Ayurveda’s approach towards illness-management is also reflective of its philosophical alliance with Vedic culture. An aggressive conquest of nature or a life-negating escape from it have never been cherished Vedic ideals. Transcending the limitations of nature, on the other hand, by self-enhancement   is the ideal that the Vedas uphold.  This self-enhancement, it is vital to note, is to be accomplished by a worshipful reliance upon the more abiding aspects of nature itself.(6) Culture is the fulfilment of nature and not its negation. This philosophical ripeness operating in the medical context produced the central doctrine of Ayurveda in illness-management:

बलाधिष्ठानमारोग्यमारोग्यार्थ: क्रियाक्रम:।। (अहृ.चि.१)

Illness is to be approached first by trying to support and induce the natural self-healing processes (bala) of the body. It is this orientation towards salutogenesis rather than pathogenesis that makes Ayurvedic treatment gentle and holistic.(7) Medicine is meant to assist and not substitute the body’s natural healing processes. The importance of this orientation in this age of medical aggression and iatrogenic ailments cannot be over emphasised.

The thrust upon salutogenesis ipso facto denounces the unipronged reductionist approach of ‘a pill for every ill’. It leads to a  holism that shifts emphasis from medical treatment to patient benefit. Anything that can ensure patient benefit, from diet and literature to space and time, become medically employable.(8) That Ayurveda can realise this employability in a manner that is rational is one of the great triumphs of its tridosha theory and the related concept of dosha-prakriti.

Ayurveda’s approach to illness-management is characterised by another  important feature – compassion towards all life. Ayurveda had its genesis, as it were, in compassion.(9)  The science of healing attains meaning only when it functions as a compassionate art. Vagbhata glorified this ethical dimension in a memorable line:  “A mind soaked in compassion is the best febrifuge.”

करुणार्द्रं मन:शुद्धं सर्वज्वरविनाशनम्।। (अहृ.चि.१)

Yukti-Vyapashraya – The Philosophy of Rational Medicine 

The intellectual attitude of valuing  human experience and rationality as the tools of acquiring trustworthy knowledge is called yukti-vyapashraya.(10) Charaka extols Medicine built and administered on this basis as being drishtaphala (evidential).(11) He further clarifies that the sole ccondition for an intervention to qualify as therapy is its proven ability to restore health, thus making his system strikingly non-ideological.(12)

The switch from the erstwhile daiva-vyapashraya (faith-based) to the rational   yukti-vyapashraya (evidence-based) medical practice is one of the great, but ill-acknowledged landmarks in the scientific history of mankind. The obvious philosophical message of this landmark switch holds the key for Ayurveda’s revitalisation and progress. 

Philosophical Imperatives for Ayurveda’s Progress

Classical Ayurveda employed the sankhya-yoga system mostly to rationalise its metaphysical view(13); the nyaya-vaisheshika was likewise employed to rationalise medical experience. Succinctly stated, the philosophical imperatives for Ayurveda’s progress  are an enhancement of its sankhya with Vedanta, of its  nyaya with mathematical reasoning and of its vaisheshika with physiology and chemistry.(14) (Vagbhata himself inaugurated this process when he chose not to even passingly refer to the sankhya cosmogony in his classic.) But, Ayurveda shall not be a passive appropriator of these sciences; it will enhance them as much because explanation of observations can scarcely be accomplished without augmenting science.(15) While retaining its cultural traits of compassion, gentleness and holism, Ayurveda will march towards acquiring greater scientific robustness.

Sadly, these obvious implications have not been adequately recognised. The science-killing idea of textual immortality, the view that ancient medical texts being divined(16) by sages are finished products requiring neither modification nor advancement, is a major cause of Ayurveda’s unimpressive progress after the Classical Era.(17) Illusion of knowledge, history proves, is the most tenacious form of ignorance. Vagbhata’s magnum opus too faced resistance from such an ignorant view about 1500 years ago. He was courageous and history has reassuringly crowned his scientific courage with victory. He clarified illuminatingly, through word and deed, the primacy of ‘science as a state of mind’ (shastra-sadbhava) over ‘science  as a body of facts’ (shastra-matra).(18) It  is best to end this essay with his immortal words that exemplify scientific straight-thinking - “Ayurveda does not derive its authority by the fact of its being divined by Brahma;  its merit comes simply from the verifiable truths it contains”.

वाते पित्ते श्लेष्मशान्तौ च पथ्यं
तैलं सर्पिर्माक्षिकं च क्रमेण।
एतद् ब्रह्मा भाषतां ब्रह्मजो वा
का निर्मन्त्रे वक्तृभेदोक्तिशक्ति:।।
(अहृ.उ.४०)

Notes and References
  1. विकारो धातुवैषम्यं साम्यं प्रकृतिरुच्यते। सुखसंज्ञकमारोग्यं विकारो दु:खमेव च।। (च.सू.९) संज्ञकग्रहणेन लौकिकसुखं न परमार्थत: सुखमिति दर्शयति, यतो वक्ष्यति “सर्वं कारणवद्दु:खं” इत्यादि। (चक्र:) चिकित्सा तु नैष्ठिकी या विनोपधाम्। (च.शा.१) निष्ठा अत्यन्तदु:खमोक्षो मोक्षरूप:। (चक्र:)
  1. Vedanta or the Science of Reality by K A Krishnaswamy Iyer
  1. सुखार्था: सर्वभूतानां मता: सर्वा: प्रवृत्तय:। सुखं च न विना धर्मात् तस्माद्धर्मपरो भवेत्।। (अहृ.सू.२)
  1. त्रिवर्गशून्यं नारम्भं भजेत्तं चाविरोधयन्। (अहृ.सू.२)
  1. सर्वं कारणवद्दु:खं। (च.शा.१) मानसो ज्ञानविज्ञानधैर्यस्मृतिसमाधिभि:। (च.सू.१) ज्ञानम् अध्यात्मज्ञानं, समाधि: आत्मनि मनसो नियमनम्। (चक्र:)
  1. महात्मानस्तु मां पार्थ दैवीं प्रकृतिमाश्रिता:। भजन्ति...।। (भगवद्गीता)
  1. प्रयोग: शमयेद्व्याधिमेकं योऽन्यमुदीरयेत्। नासौ विशुद्ध: शुद्धस्तु शमयेद्यो न कोपयेत्।। (अहृ.सू.१३)
  1. न चाहारसमं किंचित् भैषज्यमुपलभ्यते। (का.सं)
    स्निग्धवृद्धद्विजातीनां कथा: शृण्वन् मन:प्रिया:। आशावान् व्याधिमोक्षाय क्षिप्रं व्रणमपोहति।। (अहृ.सू.२९)
    कालो भेषजयोगकृत्। (अहृ.सू.१)
  1. भगवन्! शारीरमानसागन्तुव्याधिभिर्विविधवेदनाभिघातोपद्रुतान् सनाथानप्यनाथवद्विचेष्टमानान् विक्रोशतश्च मानवानभिसमीक्ष्य मनसि न: पीडा भवति। तेषां रोगोपशमनार्थमात्मनश्च प्राणयात्रार्थं प्रजाहितहेतोरायुर्वेदं श्रोतुमिच्छाम इहोपदिश्यमानम्। (सु.सू.१)
  1. द्विविधा हि परीक्षा ज्ञानवतां प्रत्यक्षमनुमानं च। (च.वि.४)
  1. दृष्टद्वारोपकारी युक्तिव्यपाश्रये, अदृष्टद्वारोपकारी दैवव्यपाश्रये। (चक्र: च.वि.८)
  1. तदेव युक्तं भैषज्यं यदारोग्याय कल्पते। (च.सू.१)
    Note the striking difference of this stance from that of an  ideological system like Homeopathy.
  1. The tridosha theory of Ayurveda seems to be modelled after the triguna theory of the Sankhya. Though pranayama, samadhi and ashta-siddhis of the yoga system have been alluded to in the Ayurvedic classics, there is no reference to the healing power of yogasanas.
  1. न मानेन विना युक्ति: द्रव्याणां जायते क्वचित्। (शा.पू.)
    The value of the science contained in the systems cannot be great now when experimental methods of investigation have advanced so much. (M Hiriyanna in Outlines of Indian Philosophy p. 184)
  1. Towards Ayurvedic Biology – A decadal vision document by M S Valiathan
  1. “Intuition has played the basic role in the development of Ayurvedic concepts. The concepts of modern science, on the other hand, are based on experimental observations. It is difficult for the two different patterns of concepts based on intuition and experimentation respectively to become absolutely identical with each other”. (Pandit Shiv Sharma in Ayurvedic Medicine – Past and Present).The tridosha concept of Ayurveda, as has been noted earlier,  seems to be modelled after the triguna concept of the Sankhya system.  Speaking about the basis of the Sankhya concepts, M Hiriyanna contrastingly writes, “In fact, it is by a proper synthesis of the common and enduring features of the things of experience that the conception of Prakriti has been reached as the idea of gold, for instance, is reached by a comparison of golden things like bracelets and rings.”(Popular Essays in Indian Philosophy)
  1. A greater reason was of course the socio-political unrest that India faced during the last millennium.
  1. अज्ञातशास्त्रसद्भावान् शास्त्रमात्रपरायणान्। त्यजेद्दूराद् भिषक्पाशान् पाशान् वैवस्वतानिव।। (अहृ.उ.४०) अर्थरूपस्यायुर्वेदस्य नित्यत्वं, न शब्दरूपस्य। (चक्र: च.सू.४०)

Author(s)

About:

G L Krishna is an Ayurvedic doctor practising in Bengaluru. "Nature he loves and, next to Nature, Art."

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...