K.P. Puttanna Shetty (Part 1)

K.P. Puttanna Shetty was the deputy commissioner of Kolar during 1903-04. On one of those days, K.P Puttanna Shetty inaugurated a library in one of the clubs of Kolar. I listened to the speech he delivered that day. I was a high school student then. Someone had taken me along to this event. His speech may have lasted for about five minutes. It was in English. His choice of words and the emotions hidden in them appealed to my mind. Only so many words as to stay appropriate. It was brief and simple. My appreciation and admiration towards him blossomed as a result. 

After about a year from then, he visited Mulbagal while he was travelling on official duty. I was working as a substitute teacher there. An event transpired therein. This may seem like a bit of self-glorification; readers should please condone.

School inspection

Puttanna Shetty came to the school and inspected all the classes. It was a customary practice of those times for the deputy commissioner to inspect all the government organizations which came under any of the departments. He paid a visit to our school accordingly. He came to the class that I was teaching and asked some questions. I presented him with appropriate answers. After the inspection was done, our headmaster placed a visitors’ book before him. Puttanna Shetty wrote down his appreciation in a couple sentences and wrote a couple of points about me in the book. Our headmaster was elated by this. By the time it was evening, it spread all over the town and created an uproar. This turned out to be torturous to me, in the following way: 

My father and his friends got together and thought, this is a fortuitous situation. It shouldn’t go wasted. It must be made use of. Meaning, we’ve to get this lad to write out a letter requesting for employment and present it to the deputy commissioner ourselves. No sooner than the commissioner reads out the request, a job shall be his for sure! They decided so and compelled me to write up a letter. I was obstinate about not taking up a government job. Debate went on till midnight. Since I’m of the old school when it comes to values, I felt I had to bow down to the words of elders. I even ended up writing down a petition. A resolution was reached to go to the travellers’ bungalow the following afternoon to hand over the plea. 

Plan

Deputy commissioner shall accept petitions from three to four o'clock in the afternoon; He doesn’t have any spare time apart from this. Therefore me, my father and three-four of his friends must be at the travellers’ bungalow exactly by three o’clock - along with the written plea. This was the plan.

There arose another problem; about me wearing a rumāl. This led to a big commotion. I was used to wearing topi. I didn’t like rumāl. After this debate had ensued for a long time, Subba Bhatta, one of the friends of my father intervened. I need not walk on the streets with rumāl on my head; I can walk with a topi until I reach the bungalow. Upon entering the compound, I must switch to rumāl only for an instant until I meet with the commissioner.

Test of my luck

I agreed to this - without any other option at sight. I held a rumāl cloth in one of my hands and walked. My father held the written plea in his hand and marched forward. This cavalcade entered the travellers’ bungalow from the rear-entrance on the northern side. Time was already four o'clock by then.

When my father went to the front door of the bungalow to enquire, a clerk there said “Saheb just went back inside. He won’t be able to meet with you now. Mail him your petition through post.”

Matter of submitting a petition ended there. But I continued receiving my dues generously over the next two-three weeks on a day to day basis. “Not someone who listens to what’s being said”, “Brooder”, “Egotistic”, “Has no regard for elders’ say”, “Obstinate bugger”, “Gone astray for sure”, “Boisterous thug” and so on... My father was very disappointed. Proportional to his disappointment was the severity of words. At last, honourable Subba Bhatta stood on my side. “Forget it. Does this mean it’s the end of his fate? If God’s will persist, he’ll get into one or the other job. He won’t die of starvation.” He extended his assurances this way. 

I narrated this incident to Puttanna Shetty a long time after it had transpired, he laughed heartily.

Perpetual smiling face 

I don’t remember now about how we met after I came to Bangalore (1905-07). But I remember K. Ramachandra Rao had taken me to meet with Puttanna Shetty after my book “Raṅgācārlu” was published. Nothing would seem special to anyone if I said Puttanna Shetty always treated me affectionately. He treated everyone that way. He never met any of his visitors grumbling. He talked to everyone with a smiling face. What’s so special about this?

Perpetually smiling face in itself is special.

Can the people who question its specialty retain an ever-smiling face? Only for the ones with genuine goodness and pleasant state of mind is it possible to maintain an ever-smiling face. If this is not the case, then it will be fake. I cannot accept a least bit that Puttanna Shetty was one such person who faked. He’d somehow earned one the qualities of Sri Rama. Sri Rama was:

स्मित-पूर्वाभि-भाषी 

“Speech, always preceded by a smile” - Thus Vālmīkī has revealed to us. This eternal serenity had manifested in Puttanna Shetty. I’ve figured it out from hundreds of my experiences. 

Presidency of the Municipal Council

His character and conduct were well appreciated by Visvesvaraya. Visvesvaraya often visited Puttanna Shetty’s home and expressed his respect. Only with relevant administrative experiences, virtuous people who have gained affection and admiration of the common-masses can accomplish substantial magnitude of work for the benefit of the public if they’ve familiarized themselves with the affairs of the state; It’s a crucial responsibility of the government to provide an opportunity and to encourage such people - this was Visvesvaraya’s belief. In consonance with this, he gave such an opportunity to Puttanna Shetty during his initial days of becoming the Diwan. It was his wish that respectable people like Puttanna Shetty should serve as the president of Bangalore’s municipal council. When this was brought up before Puttanna Shetty, he came up with a precondition: “If public work has to progress in a swift manner, sanctions and other authorizations from the government must reach the municipality promptly.  This necessitates that the Diwan himself should manage Bangalore’s municipality’s portfolio. There must be no animosity between say a government's councillor and a retired councillor of the municipality. If you can personally take care of the government’s accountability, I shall then shoulder the responsibility as per your wish.” he said. Visvesvaraya happily agreed. 

During those days, my visits to Puttanna Shetty were a routine. On one such afternoon, an agent of a motor company showed up with a new car and invited Puttanna to drive with him. Puttanna Shetty turned to me and said:

“I’m not even the president yet, and already the pandemonium of these motor patrons (lobbyist) have begun.”

Whenever I met with him, he either talked about public affairs or some topic in history or about the ethics etc. His conversations were brief yet full of substance. There was no hollow talk. 

A few days after Puttanna Shetty became the president, Visvesvaraya made plans for developing the city. He had called for a general body meeting at the city market square. A large gathering had assembled. While he was elaborating on some topic. I raised a point then. Visvesvaraya turned to me and said:

“You’re a big critic. What can be achieved by mere criticism? Work with us and understand our difficulties.” 

I kept quiet. 

 

This is the first part of the five-part English translation of the Sixth essay in D V Gundappa’s magnum-opus Jnapakachitrashaale (Volume 6) – Halavu Saarvajanikaru. Edited by G S Raghavendra.

Author(s)

About:

Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.

Translator(s)

Kiran Prasad
About:

Kiran is a mechanical engineer by qualification who's habituated to the routine of learning and unlearning. He has an abiding interest in Indian culture, art, and literature.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...