We have recounted in an earlier episode[i] that the Madhva Brahmanas of Mulabagal depended on the land grants given to them in the ancient times for their livelihood. Their only cash earnings emanated from the sale of the pulses and grains that they cultivated. To supplement these earnings, a new arrangement was made. This was the scholastic honorarium given to Vidwans by the Sriman Madhvasiddhantonnahini Sabha (Assembly for the Development of the Madhva Philosophy).
Author:prekshaa
The Pāṇḍavas longed for the company of Arjuna and were getting bored without him[1]; they set out on a tīrthayātra (pilgrimage) with the intention of acquiring puṇya and also to get rid of the boredom.[2] They reached Naimiṣāraṇya, took a dip in the river Gomatī, and travelled around several famous and sacred spots. They finally reached the āśrama of Agastya. There Lomaṣā narrated the story and greatness of Agastya to them.
For a person who has lived in the Indian main land and has experienced sanatanic lifestyle to the fullest, a mere visit to the Cambodian monuments will convince beyond doubt, the connection this far off settlement must have had with India. It is also evident through the sculptures found in the country that the roots of both the form and the content lie in India. Thus, a few pointers and examples will suffice to reaffirm the thesis.
In the concluding words of his work “Kambuja Desha”, RC Majumdar points out the following
It is interesting to note that the Indian writers on the Kāma-śāstra classified the heroines as Padminī, Cittinī, Hastinī and Śaṅkinī, primarily based on their physical and sociological attributes. They were also categorised into svīyā, parakīyā and sādhāraṇā based on the same parameters. On the other hand, aestheticians who are well versed with the Nāṭya tradition of India classify the heroines based on their emotional states, which is subtler and more meaningful than the former. An actor, who is going to put on the role of a śṛṅgāra-nāyikā should keep these categories in mind.
ಅಭಿನವಭಾರತಿಯಲ್ಲಿ ಉಲ್ಲೇಖಗೊಂಡ ಲೇಖಕರು ಮತ್ತು ಕೃತಿಗಳು
After the demise of Prataparudra, it was the Reddy Kings who faced Muslim invasions in Andhra. Prominent among are Vema Reddy and his younger brother, Malla Reddy. Their role in protecting the Andhra country from Islamic onslaught in the 14th century is truly laudable.
There were two major social conventions that took place within eight years spanning between 1920–28: (i) Prajamitra Mandali or the unrest in favour of non-brahmin sections, Miller Committee, etc. belong to this group and (ii) Progressive Party.
I’ve said everything that I could about the first group. The second one, was specifically a result of Krishna Rao’s efforts. Commemoration of the Late Hosakoppa Krishna Rao is bound to be a part of the history of Mysore’s public life.
I’ve mentioned elsewhere about a couple of other incidents under the tenure of V P Madhava Rao[1] that stirred up people’s minds. The government bringing down the compound wall of Bangalore’s Janopakari Doddanna Shettaru convention hall was one such similar incident. There arose a lot of opposition to this event too. People felt that the government had targeted Doddanna Shetty charitable trust because D Venkataramayya was its trustee and a patron. Overall, V P Madhava Rao’s tenure was unnecessarily an era of commotion.
Keśinī met Bāhuka and asked him when they had started for Vidarbha, how long they had travelled and what the purpose of their visit was. He told her that they had started their journey the previous evening and come to attend the second svayamvara of Damayantī.
Keśinī – Who is the other person who has accompanied you on the trip? How do you know him and what is he here for? What is your occupation?
K T Appanna encouraged us and supported us in many ways. After he set up his Hindu Restaurant at Ahmed Building, there was a vacant space available in Chikpet where he once ran the Hindu Coffee Club. In that place, we instituted the Sri Ramakrishna Seva Sangha and set up a reading room and library. That was around the time of Navaratri. I vividly remember the day when Krishna Iyer and I toiled to move the tables and benches. The reading room ran for about a year.