Mahābhārata – Episode 38 – Rāmopākhyāna (Part 1)

This article is part 38 of 112 in the series Mahābhārata

There was a great king named Aja in the Ikṣvāku dynasty. Daśaratha was his son. He had four sons who were all experts in dharma – Rāma, Lakṣmaṇa, Bharata, and Śatrughna. Rāma’s mother was Kausalyā; Bharata’s mother was Kaikeyi; Lakṣmaṇa- Śatrughna’s mother was Sumitrā. Janaka, the king of Videha, had a daughter named Sītā. Tvaṣṭṛ (Brahmā) himself created her to become the beloved queen of Rāma.

The creator of all the worlds and the self-existing one Prajāpati himself was the grandfather of Rāvaṇa. Pulastya was the son of Prajāpati, born from his mind. Pulastya had a son named Vaiśravaṇa; he left his father and went to live with his grandfather. Angered by this, Pulastya had another son named Viśravasa. Prajāpati Brahmā had great affection for his grandson Vaiśravaṇa and gave him immortality, immeasurable wealth, overlordship of the world, love for the Supreme, and a son by name Nalakubera. Viśravasa always looked upon Vaiśravaṇa with rage.

Vaiśravaṇa learnt that his father was angry with him and so he offered his father three rākṣasis – Puṣpotkaṭā, Rākā, and Mālinī – who would take care of his needs. They would entertain Pulastya with song and dance; pleased with their service the sage showed his love and affection to them. Puṣpotkaṭā gave birth to two sons who were of immense strength – Daśagrīva (Rāvaṇa) and Kumbhakarṇa; Mālinī gave birth to Vibhīṣaṇa; Rākā gave birth to Khara and Śūrpaṇakha. Among all of them Vibhīṣaṇa was the most good-looking, hardworking, and ardent protector of dharma. The oldest of them all, Daśagrīva, possessed great enthusiasm and immense valour; he became a skilled warrior. Kumbhakarṇa gained enormous strength, skills of magic and illusion, as well as a violent temper. Khara became accomplished in the art of archery; he began hating the Supreme, took to meat-eating, and would often cause trouble to the siddhas and sages. Śūrpaṇakha also developed a violent temperament. They all lived with their father on the Gandhamādana mountain. One day, they happened to see Vaiśravaṇa sitting with his father with great pomp and luxury. A competition was seeded with their desire to become like him. Therefore they undertook severe penance and impressed Brahmā. Rāvaṇa asked for the boon: “Let me not be defeated by any gandharva, deva, asura, yakṣa, rākṣasa, sarpa, kinnara, or bhūta!” He scornfully looked upon humans merely as animals that he ate. Kumbhakarṇa asked for prolonged sleep. Vibhīṣaṇa asked for the boon that however testing be the times, he should retain his dhārmic intellect and that he should obtain the brahmāstra without having to learn the science of it.

Soon after he received the boon, Rāvaṇa went to Lanka, defeated Vaiśravaṇa in war, and drove him away; he went and settled in Gandhamādana. Rāvaṇa stole Vaiśravaṇa’s puṣpakavimāna; however, Vaiśravaṇa cursed him saying, “Let this never seat you; let this become the vehicle of one who kills you in battle! May you be destroyed soon for thus ill-treating me, one who is elder to you!” Vibhīṣaṇa was respectful towards Vaiśravaṇa and for that reason he was made the chief of the armies of the yakṣas and rākṣasas. The rākṣasas and piśācas made Daśagrīva their king. He would take any form at will, roam about the skies, grew tremendously strong, thrash the devas and daityas, loot all their gems and wealth, and bring it back to his kingdom. In this manner he tortured the people of the world and made them scream in pain, so he got the name Rāvaṇa – the one who makes people cry out.

Then, all the brahmaṛṣis, rājaṛṣis, and siddhas, placing Agni in front of them, went to Brahmā and pleaded for help. Brahmā said, “He cannot be defeated by the devas or asuras; let Viṣṇu undertake this task; to support him in this endeavour, let the devatas obtain children among the monkeys and the bears!” Then he called a gandharvā damsel named Dundubhi and ordered her to take birth as a hunchbacked old woman named Mandharā; then he told her what should be done.

In Ayodhya, Daśaratha’s children grew up into fine young men; they became valorous warriors; they learnt the Vedas; they became expert archers; they got married; Daśaratha was extremely fond of them all; Rāma gained the love and affection of the people. Seeing that he was getting old, Daśaratha decided to anoint Rāma as the crown prince. All his ministers gave their consent saying that Rāma was deserving of it, being capable in every sense. Daśaratha called the purohita and said, “Tonight, the constellation of Puṣya (corresponding to γ, δ, θ Cancri) will attain a favourable position in the sky; therefore make all the preparations necessary; ask Rāma to come.” Mandharā heard this, went to Kaikeyi and said, “Today the king has uttered something that spells your misfortune, Kaikeyi! O unfortunate one! A poisonous snake shall bite you in anger. Kausalyā is the lucky one; her son will be anointed the crown prince; when your son has no share of the kingdom, where will you find good fortune!” Upon listening to those words, the beautiful Kaikeyi decked herself with all ornaments, made herself extremely attractive, sporting a bewitching smile, met her husband when he was all alone and spoke in a sweet tone, as if she was expressing her love. She said, “Mahārāja! O man of integrity! Long back, you had given me a boon out of your compassion; grant me that boon and take this burden off my back.” Daśaratha said, “O indeed! So be it! What do you want? Whom should I kill? Whom should I set free? To whom should I grant wealth? From whom should I snatch it?” She held on to those words firmly, and knowing her position of strength, said, “From all the preparations that have been made to anoint Rāma as the crown prince, make Bharata the crown prince and let Rāma go to the forest!” Upon hearing those words that were both hateful and oppressive, Daśaratha was engulfed with sorrow; words failed to leave his mouth. The courageous and wise Rāma, having learnt about this, set out to the forest in order that the king’s integrity remains untainted. Lakṣmaṇa and Sītā followed him. After Rāma went to the forest, Daśaratha succumbed to Time. Kaikeyi called Bharata and said, “Daśaratha has attained heaven; Rāma and Lakṣmaṇa are in the forest; take the reins of this trouble-free and healthy kingdom!” That great epitome of dharma said, “O wicked lady, destroyer of the dynasty! You have done a most terrible deed; you have killed your husband due to your greed for wealth; you destroyed the family; you have forever bound me to dishonour; let it be so, Mother! May your wish be fulfilled!” Saying so, he burst into tears. Soon after that, he gave an account of his innocence to all his subjects and went to bring Rāma back. Placing the chariots of Kausalyā, Sumitrā, and Kaikeyi in the front, Bharata and Śatrughna went along with Vasiṣṭha, Vāmadeva, and others as well as the people of the city. At that time Rāma and Lakṣmaṇa were in Citrakūṭa dressed as ascetics. Since Rāma was firm in his vow of adhering to his father’s words, Bharata brought Rāma’s sandals with him, installed that on the throne and ruled the kingdom (on behalf of Rāma) from Nandigrāma.

To be continued…

This is an English translation of Prof. A R Krishna Shastri’s Kannada classic Vacanabhārata by Arjun Bharadwaj and Hari Ravikumar published in a serialized form. Thanks to Śatāvadhāni Dr. R Ganesh for his review and astute feedback.

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Translator(s)

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...