The Tradition of Kshaatra in India: The Gupta Empire

The preeminent name among the Gupta Dynasty is Chandragupta I. He was the son of Ghatotkachagupta. He had married Kumāradevī of the Licchavi clan. Subsequently, Samudragupta and others repeatedly claim that they descended from the Licchavi dynasty. What could be the reason behind this glorification of the Licchavis?

It is well-known that the ṣodaṣa-mahā-janapada (the Sixteen Great Republics) existed during Buddha’s time. The Vajji-gaṇa (or Vṛjji-gaṇa) ruled from Vaiśālī as their capital. They were extremely valorous but that valour was admixed with coarseness. For this reason, they were derided as vrātya-kṣatriya (fallen kṣatriyas) by the others. In the Vedas, the word ‘vrāta’ also denotes ‘kṣatriya’ and ‘samūha’ (citizenry). The Licchavis were professional soldiers in one sense. They were extreme warriors. Such severity naturally erodes the discipline of any group. Chandragupta I attempted to and succeeded in building a great empire with the support and inspiration of this clan. But detailed information about him is unavailable.

Fortunately, a significant amount of information is available regarding Samudragupta, the son of Chandragupta I. Samudragupta is one among the towering emperors of India. He is among the tallest peaks of the re-invigoration of Bhāratīya Saṃskṛti (Indian Culture). He was not the eldest son of Kumaradevi and Chandragupta I. He had several older and younger brothers. Even so, his father spotted his competence and anointed him the king. We learn of this fact from the inscription in Prayag authored by Harisena:

ehyehītyupagūhya bhāvapiśunairutkarṇitai romabhiḥ
sabhyeṣūcchvasiteṣu tulyakulajamlānānanodvīkṣitaḥ ।
snehavyākulitena āṣpaguruṇā tattvekṣiṇā cakṣuṣā
yaḥ pitrābhihito nirīkṣya nikhilāṃ pāhi tvamurvīmiti ॥

Abhilekhasaṅgrahaḥ, p. 2

Chandragupta I beckoned his son and said, “Come my child! You must accept the reins of the empire. You are the suitable one. You must protect the earth.” Upon hearing this, all the wise and farsighted men present there became delighted and proud. All the elders in the assembly heaved a sigh of contentment. The other princes who were his peers became jealous and their faces darkened. Samudragupta's eyes become moist upon seeing his father’s fidelity to principle. The father washed his son’s head with his tears of joy and blessed him.

These words are not merely poetic exaggerations; they truly reflect the fulfilment of the ideal of kṣātra that Samudragupta was endowed with.

Kṣātra is required in appropriate measure both during war and peace. This is one of the great illustrations that we see in our country’s past. We see the same kṣātra in Kṛṣṇa and Arjuna in the Mahābhārata. We see the same balance of kṣātra in both war and peace starting from Chandragupta Maurya, Pushyamitra Shunga, Samudragupta, Chandragupta Vikramaditya, Kumaragupta, Skandagupta, Pulikeshi, Shiladitya Harshavardhana, Bhoja, Rāja Rāja Chola, Rajendra Chola, Bukka Raya, Praudadeva Raya, Krishnadeva Raya, up to Shivaji. This was upheld as a great ideal. Everyone aspired to live their life adhering to this ideal.

All historians aver that there was an all-round development of Sanātana dharma during the Gupta period, which has been hailed as the Golden Age or the Classical Age. All values were idealized and a model was shaped to clearly distinguish the right path. This model was built on solid foundation of values. It stood on strength, magnanimity, loftiness, connoisseurship, prosperity, goodness, and wisdom.

Coin from Samudragupta's Period. Pic Courtesy: Google Image Search

Rishi Yājñavalkya’s discourse to Maitreyi in the Maitreya Brāhmaṇa portion of the Bṛhadāraṇyakopaniṣad is as follows: “na vā are brahmaṇaḥ kāmāya brahma priya bhavatyātmanastu kāmāya brahma priya bhavati” (2.4.5)
"Even the brahman is not loved for its own sake but for my own sake (i.e. the sake of self)." If the Vedas have to aver thus, it only shows the sheer courage and audacity of our Rishis!

God is not loved for its own sake but for my sake – this is a philosophical revelation that emerged by considering the ultimate truth. This revelation is universal, rooted in nothing but ānanda (Bliss). In this backdrop, we find that Sanātana dharma, which places the highest emphasis on the freedom of the self, found its strongest expression in the Gupta period.

Prosperity Achieved by the Gupta Emperors

Even an eminent scholar like Rahul Sankrityayan has displayed his displeasure towards the Gupta period. Although I have great regard for him, I have an equal amount of differences in opinion. Even in his stories and novels, he didn't let go of his hatred towards the Guptas. He wrote a novel titled Jaya Yaudheya based on the Gupta Empire. In this, he writes that the Gupta Empire exploited its subjects. Elsewhere, he lavishes exaggerated praise on Buddhist sources. The Buddhist pilgrim Fa-Hien lived in India for ten years and toured the country between 401 to 411 CE. He also toured Ujjayini, which was ruled by Chandragupta I.

He doesn’t mention Chandragupta’s name anywhere in his travelogue. However, he has written about almost all aspects of the (Gupta) kingdom. He had neither received any support from Chandragupta nor had been rewarded by him. No such mention can be found in his travelogue. Writing about the conditions of the Gupta Empire, he records that there was absolutely no fear of thieves, no government officials harassed or tortured the citizens, the highways were safe, and every convenience was provided for travellers and business caravans.

About two hundred years after Fa-Hien, another Buddhist pilgrim named Xuanzang (Hiuen Tsang) visited the kingdom of Shiladitya Harshavardhana. He writes in many places about how he became a victim of thieves and records the turmoil due to the unrest unleashed by rebels. He also visited the empire of Pulikeshi II in Karnataka. He records that Pulikeshi’s rule was excellent; the citizens would peacefully sleep at night without bolting their doors.

Though well-aware of these facts, Rahul Sankrityayan and those who followed him later like R S Sharma, Romila Thapar, Irfan Habib, and others continued to hate the Guptas. The reason for this is amply clear: the Guptas were the greatest adherents and proponents of Sanātana Dharma. Our country reached the pinnacle of all-round prosperity during the Gupta Empire and even today the same culture continues to bind us. This is an obvious eyesore for the Communists!

One can determine the prosperity of a country by examining the coins minted there. One can deduce the economic conditions of that country observing the base metals used in the minting of coins. If we cast a glance at the coins minted in our country today, it becomes evident: in the recent past, coins were minted from nickel. These are quite valuable. We currently use stainless steel; the size and weight have also decreased. Further, by studying the style of minting coins, the skill involved in their manufacture, its artistry, technology, and the tastes of the people of that era, we can deduce the entire history of that period.

So far in the history of India, nowhere else have we obtained gold and silver coins that are comparable in the quality and quantity of those from the Gupta Period. There exists a unique stamping and minting process to manufacture coins based on native Indian arts, which are separate from the Greek and Roman models. The kind of technology, ingredients and their designs are of a high quality. Such high quality is what is designated as ‘Gold Standard.’ Will it suffice to merely print currency notes? That is perilous. It is due to this that the Zimbabwean economy is completely shattered and Greece has reached the economic abyss. The Guptas faced no such problems. The utility of kṣātra lies in preparing the kingdom for artha (prosperity). This prosperity should lead to contentment.

Rahul Sankrityayan has made malicious allegations such as: “Traders had to pay taxes to the king. Therefore, they had ensured that there were no robbers on the highways.” In which case, does it mean that only traders travel on highways? Don’t the ordinary folk use the highways? Aren’t the same highways used for transporting food grain, agricultural equipment, and clothes? Even in matters of highway safety, should there be scope for such illogic? Is there any basis for the argument that highways are safe only because traders pay taxes? To a country, roads are akin to the arteries and veins that enable blood flow in the human body.

Translated by Hari Ravikumar and Sandeep Balakrishna

To be continued

Author(s)

About:

Dr. Ganesh is a 'shatavadhani' and one of India’s foremost Sanskrit poets and scholars. He writes and lectures extensively on various subjects pertaining to India and Indian cultural heritage. He is a master of the ancient art of avadhana and is credited with reviving the art in Kannada. He is a recipient of the Badarayana-Vyasa Puraskar from the President of India for his contribution to the Sanskrit language.

Translator(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...