Author:hari

Shiva-parvati-2

The current series of articles attempts to examine the merits and difficulties in bringing Caturvidhābhinaya in classical literature. The epic poems, i.e., the mahākāvyas of Kālidāsa have stood the test of time and are known for their rich content, magnificent plots, impactful modes of expression and profound spirit. The Kumārasambhava, though smaller among the two mahākāvyas of Kālidāsa, gives aesthetic delight in a concentrated form in a shorter span.

If milk needs to get fermented into curd, both the milk and the curd should be of the right quality and quantity. Neither should cause imbalance – there will be no curd either if the milk is boiled too much or if the fermenting curd is sour – it is the same with a family – for it to function well, both the parties should gel well with each other – one person’s loss of wisdom is sufficient for the equilibrium to be disturbed[1]. One party becoming crooked will sink the family.

The People who are Worthy of a Biography

History is the external transactions of the people, while Biography comprises the inner landscape.

One must be familiar with the language of the song for which the choreography of abhinaya is done, at least to the extent that the different shades of meaning and the possible interpretations of the lyrics can be imagined. One must also be conscious of the meter (chandas) of the song and ensure that the metrical melody of the lyrics blends well with the rhythmic pattern of the tāla.

Some people, even as they utter words as hurting as the kick of a donkey, say thus with knit faces: ‘I don’t retain any filth within; I don’t say one thing and mean another; I lay forth everything that’s inside, out in the open’. Saying so, they pat themselves in the back over their transparent and straightforward ways. This is not an admirable trait; for, after all, what issues out clearly shows what lay within, isn’t it? If one’s speech can hurt others, keeping it to oneself is the right thing to do; silence is golden.

Two Sides

The important aspects of a biography may be divided into two categories: i. external aspects and ii. inner nature.