Mahābhārata – Episode 22: Pāṇḍavas are Released; Second Game of Dice Begins

Duryodhana began taunting Dharmarāja who had remained silent all this while. He said, “O great king! Bhīma, Arjuna, and the twins are your followers. They listen to your words. So please answer my question. Have you lost Kṛṣṇā or have you not?” With these words, Duryodhana who was overcome with greed, cast a lustful glance at Draupadī and let out an evil guffaw. He tried to humiliate Bhīma with his gestures. He pulled back his lower garment and revealed his left thigh that looked like an elephant trunk and made Draupadī look at it. Bhīma was enraged. With ferocious eyes he stared at Duryodhana’s naked thigh and said, as if addressing the assembly, “If I don’t break this thigh in battle, let me never attain an auspicious end!” He thus took another oath. Vidura said, “O Kauravas! Bringing a lady into the assembly and humiliating her is more sinful than gambling. You are driven by vulgar thoughts and by greed. You will never remain in peace; you will soon get destroyed. If Yudhiṣṭhira had pledged her before he had lost his freedom, it would have been legal. However, as he pledged her after he had lost himself, she is as good as being won over in a dream! Don’t listen to Duryodhana’s words and resort to adharma!” Duryodhana continued speaking: “Let any of these brothers – Bhīma, Arjuna, Nakula, or Sahadeva say that Dharmarāja had no right over his wife. I shall consider their words and relieve you of slavery!” Arjuna said, “O Kauravas! Dharmarāja was our leader until he pledged us all in the game of dice. Who can he exercise his power over after having lost himself? Think about this!”

Image courtesy:- Google Image Search

 

Jackals howled in a strange manner near Dhṛtarāṣṭra’s house. Donkeys brayed out loud. Birds gave out a frightening squeak. Noticing these bad omens, Gāndhārī, Vidura, Bhīṣma, Droṇa, and Kṛpa said, “May good befall us all!” They informed Dhṛtarāṣṭra of the happenings. He said, “You idiots! How dare you bring a woman into the court and ill-treat her! She is the wife of your cousins, the Pāṇḍavas! You drag her into the court and have verbal exchanges with her! You will see you end soon!” Having uttered these words, he tried to console Draupadī and said, “Dear one! Please ask me whatever you want. You are the best among my daughters-in-law, a lawful wife, and always adhering to dharma!” Draupadī said, “In that case, please free Yudhiṣṭhira! Let none call my son Prativindya a slave’s son!” Dhṛtarāṣṭra agreed and said, “O pious one! You may ask for the fulfilment of another wish. For you, a single boon will not suffice! I feel like doing more for you!” Draupadī said, “Release Bhīma, Arjuna, Nakula, and Sahadeva as well. Give back their chariots and their bows. This is my second request to you.” Dhṛtarāṣṭra agreed and said, “Ask me for a third boon. Giving you just two will not bring you honour. You are the best of my daughters-in-law and dhārmic by nature.” Draupadī replied, “My Lord! I won’t be able to ask for a third boon. That will make me greedy. Greed destroys dharma. The sins of my husbands have been washed off. They will perform good deeds in the future and lead a virtuous life!” Karṇa spoke next. He said, “I had never seen or heard about such a deed performed by women known for their beauty! At a time when both the Pāṇḍavas and the Kauravas were driven by anger, Draupadī rescued the former by rowing their life-boat across the ocean of difficulties and helped them reach safe shores!” Hearing these words, Bhīma said, “The wretched fellow says that the Pāṇḍavas were saved by a woman. O king! What is the use of arguing with these brats? It is waste of our energy. Let us finish them off right away!” He looked at the bolt of the door as if going to beat them all up with it. His eyes were red with anger and his brows were knitted in a frightful frown. Bhīma looked like an embodiment of Death that destroys everything during the great deluge. Dharmarāja stopped him by saying, “No! Bring yourself under control!” He then went to Dhṛtarāṣṭra and said, “O king! Pray tell us what we should do next. We will do as per your instructions.” The king replied, “Dharmarāja, you are an Ajātaśatru! May good befall you! You may take back all your wealth, go to your kingdom, and live in peace. Child, you know dharma better than anyone else here. You have been instructed at length by the learned. You are humble, wise, and have the power of discernment. Wisdom leads to peace. Thus I request you to calm down. An axe hits only a tree and not anything else. Great ones don’t harbour enmity or hatred. They don’t take to heart other’s mistakes. They see good qualities everywhere. The inferior ones have a bad tongue. Those in the middle give harsh replies to harsh queries. People of the best kind do not respond to vulgar queries at all. You have behaved in a matured manner. Please do not mind Duryodhana’s impolite behaviour. Dear child, look at your blind parents – your mother Gāndhārī and I. Silently I watched the gamble only to analyse the strengths and weaknesses of my sons and the nature of their friends. There is dharma residing in you. Arjuna is known for his courage and Bhīma for his valour. The twins are synonyms for dedication and service. What more do you need? Go to Khāṇḍavaprastha. Have affection for your brothers. Always act as per dharma! My best wishes to you!” Dharmaraja responded in a dignified manner and returned to Indraprashtha with his brothers and wife.

Image courtesy:- Google Image Search

 

Back at Hastināpura, Duśśāsana rushed to Duryodhana in distress. He said, “Brother! We won over so much of wealth with great difficulty! This old man proved to be such an obstacle. He destroyed all our plans. He gave away all our wealth to the enemy!” Duryodhana thought over the matter with Karṇa and Śakuni and then went to Dhṛtarāṣṭra for justice. “Father! Why did you do this? We should try our best to destroy the enemy and employ all means to do so. If we don’t eliminate them, they will harm you! The Pāṇḍavas plan to amass wealth from all kings and then wage a war against them. Does anyone wear a poisonous serpent as an ornament on the head or around the neck, knowing well that it can be fatal? If we provide the Pāṇḍavas with weapons and chariots, they will soon uproot us. They are now gone with the intention of strengthening their army. No one can tolerate the kind of humiliation we have subject the Pāṇḍavas to and the insult we hurled upon Draupadī. So if we gamble once again and make the loser go to the forest, we can win back everything and get rid of our enemy. We can gamble under the condition that whoever loses will live in the forest for twelve years – the rule equally applicable to them and to us. In addition to that, they will have to remain incognito in their thirteenth year; if they are discovered, they will need to stay for twelve more years in the forest. Let us play the game of dice with this agreement with the Pāṇḍavas and vanquish them. Śakuni will play on our behalf. While they are away, we can strengthen our kingdom and make treaties with the neighbouring kings. We can strengthen our army too and if they come back after twelve years, we will be strong enough to defeat them in combat. Please give your consent for this, dear father!” Hearing his son’s request, Dhṛtarāṣṭra agreed and said, “So be it! It does not matter even if the Pāṇḍavas have travelled a long distance already. Call them back. Let them come back and play another game of dice!” Droṇa, Somadatta, Vidura, Aśvatthāma, Bhūriśrava, Bhīṣma, Vikarṇa, and the others who were assembled there said, “Let there be no more gambling! Let us all stay in peace!” Gāndhārī said, “Dear Lord! Please don’t listen to the words of this ignorant boy and be the cause of the destruction of our family. Will anyone tear down a bridge that has been built with great difficulty? Would someone kindle a fire that has got extinguished? Is it right to enrage the Pāṇḍavas who are not at peace? Older people should not behave like kids. You should tell them what is right and what is wrong!” Even though she spoke dharma, Dhṛtarāṣṭra said, “I don’t care even if the family is going to see its end soon! I cannot stop that from happening. Let us act according to the wishes of the young ones. The Pāṇḍavas shall come back and we will gamble with them again!”

By this time, the Pāṇḍavas had already travelled a great distance. Yet the messenger from Kauravas chased them, met Yudhiṣṭhira, and said, “Revered King! Dhṛtarāṣṭra has commanded me to tell you this – we are all set for another game of dice in our royal court. Come, play a game!” Hearing this, Yudhiṣṭhira said, “Animals are subject to the good and the bad as per the directions of Brahmā. No one can avoid the doings of Fate. Though I know that this will lead to our destruction, I cannot ignore his command!” Yudhiṣṭhira was aware of Śakuni’s crooked nature and that he would cheat in the game. Yet he returned to Dhṛtarāṣṭra’s court along with his brothers. They sat down to play the game of dice once again.

To be continued…

This is an English translation of Prof. A R Krishna Shastri’s Kannada classic Vacanabhārata by Arjun Bharadwaj and Hari Ravikumar published in a serialized form. Thanks to Śatāvadhāni Dr. R Ganesh for his thorough review and astute feedback. Additional segments from the epic and notes by the translators have been added in the footnotes after going through the Critical Text of the Mahābhārata.

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Translator(s)

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...