Kathāmṛta - 94 - Śaśāṅkavatī-lambaka - The story of Vīra and the king Śūdraka

This article is part 94 of 133 in the series Kathāmṛta

Trivikramasena carried the dead body on his shoulder for a fourth time. The vetāla started narrating another story.

A valorous king called Śūdraka lived in a town called Śobhāvatī. A brāhmaṇa named Vīravara, who hailed from the Mālava province came to him looking for a job. His wife was called Dharmavatī, son was Sattvavara and daughter was called Vīravatī. This was his family. He came to the king carrying a shield in his hand and a sword tied to his hip. He told the king that he would work for him if he would pay him hundred dinars per day. His physique betrayed his strength and valour. Thus, the king agreed to pay him whatever he asked and appointed him. The king wondered why he needed so much money for a family for four people. He wanted to figure out if the brāhmaṇa wasted the money or put it to good use – he set some spies to watch over him.

In the morning, Vīravara met the king and stood holding his weapons at the siṃhadvāra – the main entrance to the palace. He waited till noon. Having received the day’s salary, he would hand over a hundred dinars to his wife to cover the expenses for food. He spent another hundred dinars for his clothes and cosmetics. Another hundred dinars went for the pūjā he performed to Śiva and Viṣṇu. He offered two hundred dinars to brāhmaṇas and beggars who were in need. He would then perform agnikārya and other daily rituals, have his dinner and wait alone at the siṃhadvāra, holding a sword in his hand. The king was pleased upon hearing about his routine from his spies. He developed a lot of respect for the brāhmaṇa.

One night, it rained heavily and it was all dark. The king called out from the higher stories – “Who is at the siṃhadvāra?” Vīra replied, “I am here!” The king was surprised. In the meantime, from afar the wailing of a woman was heard and the king Śūdraka said, "There is nobody in my land who is either sad or decrepit or helpless. That being the case, who could be this weeping woman?" Pondering thus, he called for Vīravara and ordered, "Who is crying? And why is she crying? Go and find out!" At once, he set out with a sword in his hand, hardly caring for the rumbling of thunder, flashes of lightning, gusts of wind, or heavy rain. Seeing that, the king was smitten by compassion and curiosity, and so he too brandished a sword and secretly followed Vīravara. Following the trail of the plaintive cries, Vīravara reached a small lake outside the city. In the middle of the lake there was a solitary woman who stood and cried, "O hero! O compassionate one! O renunciate! How can I live without you? Where can I go?" When Vīravara asked her who she was, she replied, "I am Bhūdevī, the earth; my dharma-pati is Śūdraka, the king of the land. Three days from now, he will meet his death. If such a husband were to die, how can I get another one who is that noble? Thus, I am weeping." Vīravara said, "O Mother! Is there any possible way to save the life of the king?" Bhūdevī said, "There is only one way out. If you offer your son Sattvavara's life as bali to Caṇḍikādevī, the kuladevatā of the king, then he will live a hundred years more. If you desire to undertake it, then do it right away!" Vīravara accepted the terms and immediately went home. He woke up his wife and son and told them what had just transpired. His son was unfazed and said, "Father! If the king will survive by the offering of my life, then truly my life has found its purpose! It will be a great chance to repay the anna-ṛṇa that we owe him. Therefore, let us not waste any time!" Vīravara carried their son while his wife carried their daughter as they proceeded to the Caṇḍikā devasthāna. The king was closely following them. Vīravara put down his son in the devasthāna and immediately he told the Devī with folded hands, "Mother! Behold, I now offer my head to you; as a result of this, let King Śūdraka live another hundred years and continue ruling this land!" Vīravara severed his son's head and offered it to the goddess. At once, an incorporeal voice was heard: "Vīravara! Will there ever be a more loyal devotee of the king than you! You offered your only son's head as bali to the goddess so that Śūdraka may live to be a hundred! Hail!" At that point, the little Vīravatī fell on her elder brother's corpse and embracing his severed head, breathed her last, heartbroken. Dharmavatī told her husband, "We have done what is best for the emperor. This innocent girl lost her life owing to the sorrow of losing her brother. After losing my children, will I remain alive? You should have severed my head right at the beginning; but the goddess didn't want that. In any case, if you now grant me permission, I shall alight the funeral pyre of my children." Vīravara said, "Yes, you do that! If others could have offered their lives as bali, do you think I would have done what I did?" Saying so, he arranged the firewood and set it alight. He then placed the corpses of the children on the pyre. The wife offered her salutations to Caṇḍikā and to her husband before jumping into the fire and offering her life. Vīravara thought, "The duties towards the king have been fulfilled. The ṛṇa of food has been repaid; what shall I do, existing all by myself? Therefore, I shall offer my life to the goddess too and please her!" Then he chopped off his own head with his sword.

Śūdraka, who was silently witnessing all these events was overcome by sorrow and surprise. He thought, "Alas! What has this man done for my sake! I had never seen something like this before nor heard about such a thing; if I am unable to do anything in return for this great favour, what sort of kingship is mine? How different would I be from a lowly animal?” Walking up to the goddess’ image, he raised his sword over his neck and cried, “Mother! Accept the head of this devotee of yours, and if it pleases you, pray, bring back to life the brāhmaṇa who gave up his life for me, along with his family!” Just as the king Śūdraka was about to bring down his sword upon his neck, an invisible voice rang: “O king! Stop this misadventure. Your virtuousness has pleased me. May Vīravara, along with his wife and children live again!”. As soon as those words were uttered, those who were dead came back to life. The king who witnessed this miracle, wept tears of joy. A stunned Vīravara rose up. Looking at his wife and children he said, “What is all this! Weren’t you all burnt to ashes? I too had chopped off my own head! How, then, am I still alive? Am I hallucinating or is this the grace of the goddess?” He soon concluded that it was indeed the goddess’ blessing and bowed down to her. He took his wife and children home and returned to the palace to resume his watch at the siṃhadvāra. Right then, king Śūdraka, who had returned to the palace unseen by them, shouted from his balcony: “Who guards the lion’s gate?”. Vīravara answered “I do, lord! Following your command, I went in search of that woman. She looked like a rākṣasī to me, but then she suddenly disappeared”. The king was astonished at this, for he had seen with his own eyes all that had transpired. He said to himself: “Aha! What composure, fortitude and magnanimity! The virtuous perform extraordinary deeds, but never breathe a word about them”. Then he quietly went back to bed. The next morning when Vīravara came to meet the king, the latter explained all that had transpired the previous night to his ministers in great detail. They all became awestruck. A grateful Śūdraka gave Vīravara, lordship over Lāṭa including Karṇāṭa. Both remained happy forever.

Finishing the story thus, the vetāla asked Trivikramasena: “O king! Who is the most courageous among them all? If you don’t answer my question, your head will split into a hundred pieces!”. The king replied “Śūdraka is the most courageous one!”. Vetāla retorted “Why not Vīravara? There can be none more courageous than him. Was his wife any less brave? Which mother would ever agree to have her own son killed? What about Sattvavara? How could a boy so young be endowed with such fortitude? Leaving them all aside, why do you shower praises on Śūdraka instead?”. The king countered: “It’s not like that! Vīravara had undertaken a vow that he, along with his wife and children, would protect the king from all perils. His wife was born to a virtuous family, and she was a pious woman. What greater dharma was there for her, than following her husband’s footsteps? Their children would naturally be virtuous just like Vīravara and his wife - for as is the fibre, so is the fabric. The king who put his own life on the line for the servant who gave up his life for his king, is the most extraordinary!”


Since Trivikramasena broke silence, the vetāla vanished from his shoulder and flew back to his original station.

 

To be continued...

The current article is a translation of Prof. A R Krishnasastri’s Kannada classic Kathāmṛta along with additional segments added from the original Kathā-sarit-sāgara (of Soma-deva). Bṛhat-kathā-mañjarī (of Kṣemendra) and Bṛhat-kathā-śloka-saṃgraha (of Budha-svāmin) have also been referred to. The translation has been rendered by Raghavendra GS, Arjun Bharadwaj, Srishan Thirumalai, and Hari Ravikumar.

The original Kannada version of Kathāmṛta is available for free online reading. So are the other works of Prof. Krishna Shastri

 

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...