Two Seminal Essays of DVG on the Downfall of the Congress

This article is part 31 of 57 in the series Life and Legacy of DVG

This unsleeping Inner Eye was also alert to well-intentioned inanities that the fledgling democracy in India was cooking up in rapid succession. One such inanity is our national motto, Satyameva Jayate translated commonly as “Truth alone prevails.” In a brilliantly piercing essay[1] titled India’s Motto, DVG dedicates three pages dissecting this motto down to its last atom. He copiously quotes from the Mundaka Upanishad (where this line occurs), marshals substantial evidence from Sanskrit grammar, traditional Sanskrit commentaries and arrives at significant conclusions regarding the very prudence of selecting this line as our national motto. The essay has to be read in its entirety to savour the rich insights it offers. Using the word “Jayate” transitively will mean “exalting Truth…because it possesses the power to vanquish its opposite…In other words, success or gain is made the criterion of virtue. Is that the best way of honouring Truth? So taken, Satyam-eva-Jayate would merely be another version of the mercantile motto, “Honesty is the best policy.””

Neither does DVG stop at this. He says, “Our concern for Truth should not be utilitarian, but absolute…We adore Satya…not for the sake of the Jaya it may (may not!)… bring, but for its own sake.” And exposes the sheer imprudence of applying this Upanishadic verse in a realm it does not belong: politics and Government. He questions,   

“Is that a way that will suit a Government?...  As part of its service to Satya, how will the [Government’s] motto “Satyam-eva-jayate” sound in the context of a dishonest public official who has avoided detection and hoarded his ill-gotten money…?... Must a Government have a motto? Must it…exhibit one?... When the Government of India have such questions to decide…they should seek advice not from a close coterie unknown to the public, but from…heads of certain Mutts and a few recognized scholars like Prof P.V. Kane and Prof. M. Hiriyanna.”

A similar but far worse inanity is boldly inscribed on the entrance of the Vidhana Soudha[2] : “Government’s work is God’s work,” which elicited a stern condemnation[3] from a famous litterateur: “Government’s work is a heinous slavery.”   

****

Given the sheer volume of DVG’s splendid critiques of the Congress Party and Governments spread over thirty years, even a condensed rendering will amount to a separate book of a modest proportion. Arguably, these critiques have their roots in two seminal essays he wrote in 1949 in the Public Affairs journal as a series. Both have been mentioned earlier: Congress and Parties and The Congress Ailing. The rest of his Congress-critiques can reasonably be regarded as expansions of and additions to these pioneering essays. Put together, both these essays easily run up to about forty pages.

Indeed, the opening sentence[4] of Congress and Parties is bluntly direct: “The Congress is ailing, both in and out and that is a matter for concern even to those who do not belong to its organization, because the Congress is in charge of the country’s Government all over.” 

Seven decades after it was written, Congress and Parties remains an invaluable classic in its genre, ever-relevant. It is also a great study in how to write political analyses that are original, objective, comprehensive, truthful, and ethical.  The central themes of Congress and Parties hinge on the following:

·      How the Congress descended to political promiscuity immediately after India attained political independence.

·      How it systematically stifled internal democracy under the excuse of party discipline and how the nation had to pay a huge price for it.

·      The emergence of the High Command culture, which under the garb of maintaining intra-party harmony stifled internal debate, dissent and free expression.

·      The absolute urgency of birthing rival political formations to the Congress in order to safeguard Indian democracy.

DVG correctly endorses Mohandas Gandhi’s recommendation that the Congress should shut down its political activity after Independence and dedicate itself to the task of nation-building. With great foresight, DVG notes[5] that if Gandhi’s advice had been accepted, “political parties would have…formed afresh, independently of the Congress, and that would have been an advantage to the country.”

As we have noted numerous times in this book, DVG’s analyses considered that vital component missing in typical and superficial political writings: human nature. This keen understanding is precisely what gives us[6] such gems:

Power is as much a disintegrator as it is an integrator. So long as power remained a far-off object to be fought for…the rank and file in the Congress…[were united]. It is just as natural that after the prize has been captured, there should be a scramble among them for shares. Search unites. Gain divides. This is the law of human nature.

Thus, from being a patriotic and nationalist organization whose objective was getting rid of British rule, the Congress crashed down to becoming a purely political outfit immediately after freedom thereby immediately debasing its stature. DVG notes that its tearing power-hunger led to rampant political promiscuity, some facets of which we have seen in an earlier section. This is how DVG characterizes the hasty and staggering downfall of the Congress:

Great undoubtedly is the Congress; but the country is greater. Congress [was] great because it till now recognized the country as greater.

Equally, the sheer stature, pan-Indian spread and dominance of the Congress ensured that even the thought of an alternative political formation did not arise due to the sheer terror it inspired. DVG describes[7] this as the Congress “outgrowth,” which shut down all “open-minded study” and how there were no public meetings in the country “other than those organized by the Congress.” And more acidly, “Like the Upastree (concubine), the Congress will let no other organism thrive anywhere in its neighbourhood.” This sort of quasi-dictatorship also manifested itself in other ways. The most notable ignoble precedent[8] is the infamous Romesh Thapar vs The State Of Madras case. Romesh Thapar, part of Jawaharlal Nehru’s circle had upset the Prime Minister by daring to criticize him in his paper. Nehru’s Government sued him and lost the case. Unwilling to accept this loss of face, Nehru used the full might of his power and influence to bulldoze the first amendment to Article 19 of the Constitution which guarantees freedom of speech and curbed it using the vague terminology of “free speech subject to reasonable restrictions.”

Thus, with virtually no opposition either in Parliament or legislatures, the Congress turned upon itself in a Shakespearian sense. The first casualty was a systematic stifling of intra-party democracy under the garb of party discipline. DVG observes how even someone like Acharya Kriplani (a former Congress President) was humiliated under this excuse and was made to issue a cringeworthy apology[9] in public for daring to speak the unpleasant truth even in the “freedom of friendly conversation.” The Congress Party now demanded and got “submission and acquiescence miscalled harmony.” In reality, the Congress was implementing a milder version of the forced, public confessions of guilt by the members of the Communist Party of Russia in those innumerable notorious show trials of Stalin. DVG correctly traces this corrupt phenomenon as the first stirrings of the dictatorship of the Congress High Command, which assumed fearsome proportions over time.

Simultaneously, DVG points out that one swallow makes not a summer when that other familiar excuse is forwarded: that we have great leaders at the Centre and at the top party leadership and the party and country is largely in safe hands. He counters[10]: “The point…is not what giants we have at the Centre, but what dwarfs we have at so many other key-points.”

 To be continued

Notes


[1] D.V. Gundappa: India’s Motto, Public Affairs, June 1949, Gokhale Institute of Public Affairs, Bangalore pp 47 – 49 

[2] The building which houses the Karnataka Legislature

[3] A.N. Krishna Rao, the renowned Kannada novelist, writer, and activist.

[4] D.V. Gundappa: Congress and Parties, Public Affairs, April 1949, Gokhale Institute of Public Affairs, Bangalore p 33. Emphasis added.

[5] Ibid. Emphasis added.

[6] Ibid. Emphasis added.

[7] D.V. Gundappa: Congress and Parties, Public Affairs, May 1949, Gokhale Institute of Public Affairs, Bangalore p 42. Emphasis added.

[8] For the full text of the judgment, see: https://indiankanoon.org/doc/456839/

[9] D.V. Gundappa: Congress and Parties, Public Affairs, May 1949, Gokhale Institute of Public Affairs, Bangalore p 42.

[10] Ibid p 40. Emphasis added.

 

Author(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...