The Real Education that Puranas Offer

This article is part 7 of 20 in the series Puranas

The Path of Sadhana

The Vishnupurana has accepted Bhakti and the performance of Karmas laid down by the Sastras as valid paths of Sadhana. The Inner Life will be purified by performing Karmas. The Bhagavan will reside in that Inner Life. When that occurs, Pure Knowledge will be realized and the highest pedestal called Vishnu will be attained (1.6.12, 13). Only people who perform Karmas will reach the exalted world of Prajapati and others. Only Yogis and Sanyasis will realize the Ultimate Brahman. Those who contemplate on the twelve sacred syllables, “oṃ namo bhagavate vāsudevāya” will attain Moksha through the portals of Sacred Knowledge (1.6.37 thru 40). Although Dhruva witnessed the physical form of Vishnu, he did not attain Moksha. After meditating upon Vishnu for a prolonged period, he was freed from the bonds of virtue and sin and finally attained Moksha (1.20.34). For the attainment of Moksha, even virtue, like sin, is an obstacle. The full meaning of Gita’s verse, “jñānāgniḥ sarvakarmāṇi bhasmatāt kuruterjuna” becomes crystal clear in Dhruva’s attainment of Moksha. This is the sequence: attainment of Pure Knowledge through meditation upon the Bhagavan; Pure Knowledge leading to freedom from virtue and sin; from this, the attainment of Moksha. The description of the attainment of Pure Knowledge (jñāna-Yoga) is beautifully brought out in the conversation between khāṇḍikya and keśidhvaja. This occurs in the seventh chapter of the sixth Amsa and can be called the heart of the Vishnupurana. The absorbing facet in this portion is the mention that Vishnu can be meditated upon as having Eight Arms (aṣṭabhuja). It mentions that the devotee must meditate upon each of these physical aspects and gradually erase the entire sagua form of Vishnu. By doing this, the devotee will eventually grasp his Formless aspect. Reaching this stage is known as Samadhi. In this Samadhi, the distinctions of meditator, the object of meditation, and meditation (the three together is known as tripuṭi) will cease to exist. This state is called the nirvikalpa Samadhi. The person who attains this Samadhi is truly fulfilled. In this state, differences that arise due to ignorance (or illusion) will be destroyed and the person will attain full unison with the Bhagavan and will become abhedi (one who has overcome differences):

vibhedajanakeSjñāne nāśamatyantikaṃ gate |
ātmano brahmaṇo bhedamasantaṃ kaḥ kariṣyati || (6.7.96)       

When the ignorance that causes differences is completely destroyed, who can create any difference in the realisation that the person and Brahma are the same?

The following verse which describes the nature of Bhakti is truly splendid.

yā prītiravekānām viṣayeṣvanapāyinī |
tvāmanusvarataḥ sā me hrudayānmāpasarpatu || (1.20.19) 

Praying to Vishnu, Prahlada says, “no matter what birth I take, let my devotion for you remain steadfast and unswerving.” Further, he says, “Those bereft of wisdom have firm attachment and love for objects that they think bring them happiness. Let my heart which constantly chants your name, also have the same attachment and love for you. Let it not sway even a bit.” The truly blessed person who is endowed with this unswerving devotion will have nothing to do with Dharma, Artha, or Kama. Moksha resides in his palm: “muktistasya kare sthitāḥ.”

Vishnupurana and Srimad Bhagavatam

Among the ten renowned avatara-s of Vishnu, the Vishnupurana contains the stories of five: kūrma, varāha, nṛsiṃha, rāma, and kṛṣṇa. Of these, Sri Rama’s story is narrated very briefly while Sri Krishna’s story is highly elaborate. The famous story where nṛsiṃha slays the demon Hiranyakashyipu occurs in just one line and is not given any importance. The story of the ten avatara-s of Vishnu is provided in a detailed fashion in the Srimad Bhagavatam. It occupies a highly significant place in that Purana. Although the Vishnupurana emphasizes on the importance of Bhakti, this emphasis occurs in a subtle fashion. However, in the Bhagavatam, the exposition of Bhakti is exhaustive and extremely appealing. We can recall here that the very purpose of the Bhagavatam is to offer a discourse on the primacy of Bhakti. In instances where the bhāgavata (expositor of Vishnu Bhakti) describes Bhakti, he forgets himself and is immersed in the Bhagavan. It appears that the goal of the Bhagavatam is to elaborately explain every single facet of the Vishnupurana. However, in the Bhagavatam, we do not see the lilting linguistic style and simplicity of the Vishnupurana. When we consider other aspects such as the sameness of subject and phrasal similarity,      we can conclude that the Bhagavatam is akin to a commentary on the Vishnupurana. However, it is our definite opinion that the author of the Bhagavatam certainly had the Vishnupurana in front of him.

Importance of the Puranas

The tradition of reciting and listening to Puranas has come down to us from ancient times in this sacred Bharatavarsha. In both villages and cities, it was common to witness Purana recitations in temple premises in the evenings. The thawing of this tradition in recent times is proving highly dangerous for the growth of our Sanatana culture. It is equally a matter of great regret that our children do not have even a basic acquaintance of the Ramayana and the Mahabharata. A good section of contemporary Hindus have not even heard of great Bhaktas like Dhruva, Prahlada, Markandeya or Ambarisha; they are ignorant of extraordinarily courageous heroes like Nala, Harishchandra, or Yayati; they know nothing about virtuous women like Damayanti, Anasuya, or Chandramati. This is the direct consequence of the decline of the tradition of Purana recitation and listening. More alarming is the fact that even the educated class of Hindus show a wanton negligence towards Puranas. Some have even gone to the extent of hurling contempt against Puranas, “We don’t need your Purana!” However, the truth is exactly the opposite of this attitude. When our ancients declared that the Puranas are part of the fourteen branches of learning, they weren’t merely praising the Puranas. We must not forget the fact that the very purpose of the Puranas is to inform and educate the masses about the most essential topics related to both worldly knowledge and spiritual literacy. The stories narrated in the Puranas are extremely thrilling. The moral and ethical principles that one must learn from these are invaluable. The philosophical tenets expounded therein in simple terms sans tough theories are worth contemplating throughout life. Specialist topics such as Yoga, jyautiṣa (astronomy), etc., that occur incidentally are essential knowledge for every person. Although the long lists of lineages and dynastic histories might bring boredom, we must not forget that they have historical value. Besides, the sections on ācārasahita (related to right conduct) and dharmasahita (expositions on Dharma) are useful for cultured and ethical people.

It is true that the Puranas contain numerous episodes involving supernatural and fantastic elements. Some people object to these on the grounds that they are unbelievable. However, this truth remains—let those who want to believe, believe; but even the non-believers have some profound value or philosophical tenet to take home. So far, no systematic study of all the Puranas has taken place in the method prescribed by the Sastras. If scholars who are well-versed in both our traditional knowledge like Vedanta and modern learning undertake this task with Shraddha, it will be a profound service rendered to Indian learning itself.

To be continued

Author(s)

About:

Mahamahopadhyaya Vidwan Ranganatha Sharma was a renowned Sanskrit scholar and an authority on Vyakarana or Grammar. He is noted for his translation of the entire Valmiki Ramayana into Kannada, which was published with a foreword by DVG. He has authored several books in Kannada and Sanskrit. He is a recipient of the national award for Sanskrit learning and has received the Rajyotsava Award.  

Translator(s)

About:

Sandeep Balakrishna is a writer, author, translator, and socio-political-cultural analyst. He is the author of "Tipu Sultan: The Tyrant of Mysore" and "The Madurai Sultanate: A Concise History." He translated Dr. S L Bhyrappa's magnum opus "Avarana" into English.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...