Mahābhārata – Episode 69 – Duryodhana Walks out of the Court; Kṛṣṇa's Viśvarūpadarśana

This article is part 69 of 112 in the series Mahābhārata

As he heard Kṛṣṇa’s words, Duryodhana turned towards him and snapped. “Kṛṣṇa! You should think about this once more thoroughly and then speak to us. You have criticised me too much in your speech. Everyone seems to be upset with me – you, Vidura, father, grandfather, ācārya, and everyone else. I fail to figure out what my mistake is, in whatever has transpired so far. The Pāṇḍavas came forward to gamble on their own accord because they love the game. Śakuni won their kingdom. What is wrong with it? Whatever little they won in the game, they took with them. How is it my fault if they lost the game of dice and went to the forest? They are now powerless and have joined hands with Sṛñjayas and the others. They are sharpening their swords with us in their mind and wish to kill us. I don’t know for what mistake of ours they want to spew anger. We have no fear for blackmail or for threatening actions. Even the devatās cannot defeat Bhīṣma, Droṇa, and Kṛpa, let alone the Pāṇḍavas. If we wage a war, we will defeat them or reach the heavens for our valour. It is the highest dharma for a kṣatriya to sleep on a bed of arrows in the battlefield. We have no hesitation to subject ourselves to that. A kṣatriya may break down but will never compromise on his values. Whatever was offered to my father in the past as his rightful share is all mine now – I will live on it and will not give it up to anyone. It is possible that some part of the kingdom went under their possession when I was young – it must have happened without my knowledge. Now, however, I won’t even give them a land as small as the tip of a needle!”

Kṛṣṇa was enraged by Duryodhana’s speech. His eyes widened with fury but he said with a smile, “Duryodhana! If you wish to sleep on a bed of valour, you will do so, don’t worry! Wait a bit longer; war is round the corner. You ask me how you have wronged the Pāṇḍavas! You were jealous of their wealth, conspired with Śakuni, and called them for a gambling match. They are noble and simple-minded. They never thought that you will deceive them. If that wasn’t sufficient, you brought Draupadī, the favourite wife of the Pāṇḍavas and their royal queen, to the court and tried to disrobe her. Everyone is aware of the ill words spoken by Karṇa, Duśśāsana, and you. You tried to burn the Pāṇḍavas and their mother alive by sending them away to Vārṇāvata. You came up with several other plans to kill them. None of that turned out to be successful. You have been cheating the Pāṇḍavas all along. Is this not criminal? Are you not guilty of all the heinous deeds? Who behaves in such a lowly manner with relatives? Only peace can bring you all happiness. If you don’t listen to me and only lend your ears to those who feed in ugly ideas to you, you will be a pawn of adharma and ill-fame!”

Duśśāsana shouted, “Brother! If you don’t agree for a peaceful treaty, apparently our father, grandfather, Droṇa, and other Kaurava elders will hand us over to the Pāṇḍavas as captives!”

His words further enraged Duryodhana who shot up like a hissing snake. Without caring for any of the elders and giving up all ethical conduct, he stormed out of court rudely followed meekly by his brothers
and ministers.

Bhīṣma said, “This arrogant fool has disrespected the court and has left without a word. He is followed by kings, officials and ministers who are loyal to his evil mind. Seems like the final days of kṣatriyas are not far away!”

Kṛṣṇa addressed the Kuru elders – “It is not right to have left him to his whims and fancies right from the beginning. Kaṃsa was like him too. His relatives left him and I killed him for the benefit of the world. The Andhakas and Vṛṣṇis are living in peace now. If you can put Duryodhana behind the bars and agree for a peace treaty with the Pāṇḍavas, it will avoid the destruction of the Kurus!”

Kṛṣṇa's dire predictions left Dhṛtarāṣṭra stunned and speechless He called for Gāndhārī through Vidura. She called her son Duryodhana and advised him to drop his animosity and develop cordial relationship with the Pāṇḍavas. “It is not good to fight a war. It does not bring dharma or artha to the world. There is no guarantee of victory. You have reposed your trust in Bhīṣma and Droṇa. They might fight the war out of obligation for what the palace has provided them. However, they have their hearts with both the sides. They will not turn down Yudhiṣṭira. Share the kingdom with the Pāṇḍavas and rule the kingdom in peace. Arrogance cannot bring prosperity, dear child!”

He did not find mother’s words pleasant either. He got agitated and hastily left the court once again. He thought of a plan with his misters who were waiting for him outside the court. “Kṛṣṇa plans to get us all imprisoned. Before he does that, let us put him in chains. As soon as the Pāṇḍavas get to know that Kṛṣṇa is chained, they will lose all their strength just as serpents are powerless without their teeth. All their motivation will get killed!” He said this with a tone of finality and the others found his plan fitting too.

Sātyaki, who came to know of his plan, called Kritavarma outside and asked him to get the army ready and wait at the door. He went inside the court and informed Kṛṣṇa of Duryodhana’s plans. He spoke to Dhṛtarāṣṭra and Vidura – “Your children have planned a heinous deed. They plan to put Kṛṣṇa in shackles. This is like kids planning to capture fire using a cloth!”

Kṛṣṇa told Dhṛtarāṣṭra, “Revered king! They plan to tie me up out of their fury. Just wait and see if they will chain me or if they will chain themselves. I will not go down to their level and perform such unethical deeds. As they are doing this out of greed and arrogance, consider Yudhiṣṭira to be victorious! Let Duryodhana act as per his wish!”

Dhṛtarāṣṭra asked Vidura to call for Duryodhana. He said, “You wicked one! You have joined hands with your malicious friends and you plan to perform such a heinous deed! This will be an eternal blemish on our family. A person like you should never live with us. What! You plan to bind Kṛṣṇa? Even Indra and the other devatās cannot tie him up! It is like trying to catch wind with the bare hands, touching the moon, and hoisting Earth on your head!” Vidura supported Dhṛtarāṣṭra’s words and spoke about all the glorious deeds performed by Kṛṣṇa.

Kṛṣṇa then told Duryodhana, “You think I'm all alone here and it is easy to put me in chains? The Pāṇḍavas, Andhakas, Vṛṣṇis, Ādityas, Rudras, Vasus, and everyone else is here as well!” He said so and laughed out loud. Devatās came out of his body in brilliant thumb-sized forms. Brahmā was found in his forehead and Rudra in his chest. The dikpālakas (deities guarding the directions) manifested in his shoulders and Agni in mouth. The Ādityas, Sādhyas, Vasus, Maruts, Viśvedevas, Yakṣass, Gandharvas, and Rākṣasas were seen in his arms. Balarāma, Arjuna, Bhīma, Nakula, Sahadeva, Pradyumna, and the other heroes belonging to the Andhaka and Vṛṣṇi clans manifested in his back. Śaṅka, Cakra, Gadhā, Śaktyāyudha, Śārṅga, Nandaka, and other weapons came before him waiting for his command. Fiery flames were emitted by his eyes, ears and nostrils. Every pore and strand of hair was blazing like a powerful sunray. Everyone except Droṇa, Bhīṣma, Vidura, and Sañjaya closed their eyes, unable to bear the dazzling form. Kṛṣṇa then got back to his normal form and went out along with Sātyaki and Kṛtavarma.

As he sat down on the chariot, Dhṛtarāṣṭra came there and said, “Janārdana! You saw how much of control I have over my children. I don’t have any evil intentions with regard to the Pāṇḍavas. The Kauravas and the other kings here know that I'm trying to strike a peaceful treaty with them.” Kṛṣṇa spoke to Dhṛtarāṣṭra, Bhīṣma and the others – “You have witnessed everything that transpired in the Kuru court today. You also saw how many times the idiot left the court disrespecting the elders and the guests. Dhṛtarāṣṭra, here, tells me that his words bear no value in the court!” With these words, he bid farewell and left the place, even as everyone stood startled and looked at him with confused eyes. He headed towards Kuntī’s house.

To be continued...

This is an English translation of Prof. A R Krishna Shastri’s Kannada classic Vacanabhārata by Arjun Bharadwaj and Hari Ravikumar published in a serialized form.

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Translator(s)

About:

Arjun is a writer, translator, engineer, and enjoys composing poems. He is well-versed in Sanskrit, Kannada, English, Greek, and German languages. His research interests lie in comparative aesthetics of classical Greek and Sanskrit literature. He has deep interest in the theatre arts and music. Arjun has (co-) translated the works of AR Krishna Shastri, DV Gundappa, Dr. SL Bhyrappa, Dr. SR Ramaswamy and Shatavadhani Dr. R Ganesh

About:

Hari is an author, translator, editor, designer, and violinist with a deep interest in philosophy, education pedagogy, literature, and films. He has (co-)written/translated and (co-)edited some forty books, mostly related to Indian culture.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...