Pāśampalli Ādèppa

When I was young, I aspired to become a paṭela (village headman, chief of a town). Not because the position would provide a lot of money. But because a paṭela is a free man; he need not wait for someone else’s orders. The respect of people for a village headman is immense; all the villagers obey his command.

In addition to these two attractions, there was another. A headman did not have the burden of schooling; no plight of exams and results.

Among my father’s and grandfather’s friends, there were four or five paṭelas. I had seen their imposing attitude[1] and the respect with which people treated them. But I had no idea about their responsibilities and difficulties.

How should a Village Headman be?

It was my grandfather who cured me of my crazy ideas. He told me two things –

1. A headman should have life experience and an understanding of human nature.

2. In addition, he should be a person who gains people’s affection and trust through his behaviour and words.

Both these take time. No one will accept a teenage boy as a village headman.

The meaning of these words dawned upon me after a few years.

A paṭela is the head of the town. If he does not understand the characteristics of its citizens, his governance becomes chaotic. People should realize his ability and trust him. Without these two elements, a headman cannot successfully fulfil his duties and responsibilities.


Pāśampalli Ādèppa was a town chief. He was a Telugu-speaking brāhmaṇa, probably from Vèlanāḍu[2]. He lived around eighty years ago [i.e., in the latter part of the nineteenth century]. I recollect seeing him once, from a distance, when I was four or five years old. I’ve heard about him time and again from the elders in my family. What I want to narrate now is the gist of what those old-timers narrated.

Pāśampalli was a village in the Telugu-speaking region of Kolar district. I haven’t enquired as to whether or not it is now in existence. The name Pāśampalli [Pasampalle] was earlier probably Pāyasa-palli or Pāyasada Haḻḻi. Over a long period of time, people started pronouncing it as Pāśampalli.

Ādèppa was the headman of four or five villages in that area. His income was a poṭagi of twenty rupees per village and so a sum of a hundred rupees from the five villages in total. Poṭagi was the ‘commission’ or 'allowance' that the government credited annually to a śānubhoga (village accountant) or a paṭela. Typically if the revenue from a village was a hundred rupees, three or four rupees from that would go to the accountant and more or less a similar amount to the headman. This poṭagi was the cash income for the headman.

But no headman subsisted on this income alone. Ādèppa owned lands. His family received an abundant quantity of grains and pulses from the lands. They were generous; they continued their family tradition of donation and charity. Pulses and grains required for these acts of charity were cultivated in their own fields.

There were fifteen to twenty people in Ādèppa’s household. His brothers, their children, nephews, elderly women who had returned due to broken marriages, widows – all these were part of his family. Along with this, there were always two or three guests or needy people. This is Hindu Socialism or the socialist way of our country.

His standard of living was middle-class. He did not have to buy any groceries from a shop. From sesame seeds to jaggery, every item was produced in his fields and gardens. At home, there were always a couple of cows and buffaloes. Hence, milk, curd, and ghee were always available in plenty. Since there were three to four women at home, they took care of the cooking.

In this manner, good food and peace of mind were the characteristics of the surroundings.

Personal Charisma

In spite of Ādèppa having inherited lands and the title of town chief, it is not possible to say his life would have been so satisfactory had he not been endowed with his personal charisma. His fame came from his charm and personality. A few words about that.

The main feature of his physical appearance was his limp. The main feature of his demeanour was his authority and discipline.

I don’t know whether he was a cripple by birth or whether an injury caused the deformity or whether it was due to a disease. But it was impossible for him to walk.

His special durbar took place in the portico in front of his house, on the jaguli (raised stone platform). The village accountant, common folk of the village, and his close friends would gather there. This typically took place in the evenings or at night.

Perhaps after seeing this spectacle people came up with the proverb ‘Kuṃṭoṇi pārupatyaṃ iṃṭa muṃdara’ – ‘A cripple’s sovereignty is only in front of his house.’ This proverb is in use even to this day.

Daily Routine

Ādèppa’s day would start early in the morning at around five. He would freshen up, apply the vibhūti, put on the armour, tie a turban, wear the long angavastra on his shoulder, and then be ready for his tour. A couple of people, from his household or some other helpers, would lift him and seat him on his horse. As soon as he sat on the horse and held its reins, Ādèppa was no more a cripple but became a man of valour. A cripple on the ground; a hero on the horse.

Once he began the tour, he would not get off the horse until he returned home in the afternoon. While journeying from Pāśampalli to the next village, on the way, chieftains and others would join him from nearby places and narrate their pains and pleasures to him.

When Ādèppa desired to meet anyone, he would send for them through the village assistants and helpers accompanying him.

Thus he would understand what was going on in peoples’ lives in his villages. A feud in one family, grain inadequacy in the other, shortage of earning in yet another, and some other troubles in another – all these reached Ādèppa’s ears. He was happy to help out—to the extent possible—people who shared their tales of woe and troubles. He would console a few; teach a lesson to a few others; and assist some others with loans. All families in those four or five villages were like branches and sub-branches of Ādèppa’s own family. The life of the people was his life. The main portion of Ādèppa’s life was woven into life of people in villages around.

Did I not mention earlier that he would teach a lesson to some? There was a significant need for this. Even during those times, there were liars, cheats, and mischief-makers. It was Ādèppa’s dominating nature that brought them under control. Though he was the well-wisher of all, people had a feeling of fear and devotion towards him. Not a single person in those five villages under his jurisdiction dared to go against his word.

Therefore, a proverb created in that region was commonly in use. The proverb is in Telugu; the style is a bit rural, readers have to bear with the rusticity and pardon me. It goes thus: “Pāśampalli Ādeppagāru pittamaṇṭe pittāla” – meaning ‘If Pāśampalli Ādèppa asks you to fart, you fart.’ His word was the ultimate command.

Normally, these words were said with reference to his tax collection. Among the headman’s principal duties, the first was tax collection. The headman’s first task is to collect tax due from the farmers to the government. To maintain accounts connected to them is the job of the village accountant. Without the dogged peristence and pressure of the headman, it is not possible to collect the taxes.

Ādèppa was extremely strict in collecting tax from the farmers for the government. For several farmers it was difficult to pay taxes in time. Such people would request Ādèppa for more time. Ādèppa would not be hard on them the first time. For the first instalment and second instalment he would allow as much time as the farmer wanted. By the third and fourth instalment, he would become ruthless. Once he became hard-hearted, the farmer had no choice but to pay up. And so when Pāśampalli Ādèppa said, “Spit it out,” one had better pay up.

Public Acquiescence

During those times, there were no documented rules that laid down the fiduciary jurisdiction, duties or responsibilities of the village headman or other village officials. Everyone followed the regulations established earlier. The bārābalūti, a system of administration that has twelve branches—dvādaśāṅga—is said to have come from the time of the Vijayanagara Empire. The headman used to follow this ancient system. The people allowed it to continue unhindered. The village was the paṭela’s family. The paṭela was its head. Because his words were respected and valued, it was possible for him to administer and improve the villages. Since all public works were running with the compliance of the people, there was no need for copious laws.

This is real swarajya or self-rule; this is democracy.

True democracy and true independence of the people can survive when people voluntarily accept a few traditions and institutions and when the citizens—of their own volition—are loyal to these traditions and abide by the rules of these institutions. As the laws increase, the government’s interference in people’s lives increases. When the government’s interference extends into public life, the independence of the people naturally diminishes. Our people must deeply contemplate about this principle.

This is the seventeenth essay in D V Gundappa’s magnum-opus Jnapakachitrashaale (Volume 7) – Hrudaya Sampannaru. Edited by G S Raghavendra and Hari Ravikumar. Thanks to K K Subramaniam for his valuable inputs.


[1] The original has the word ‘dhoraṇè,’ which refers to a grandiose stance, a commanding presence, or a flamboyant demeanour.

[2] The place of origin of the Vèlanāḍu sub-sect of Telugu-speaking brāhmaṇas.



Devanahalli Venkataramanayya Gundappa (1887-1975) was a great visionary and polymath. He was a journalist, poet, art connoisseur, philosopher, political analyst, institution builder, social commentator, social worker, and activist.



Prof. Vedavyas M G is a visiting professor of Strategy and International Business at PES University, Bangalore. He is on the Advisory Board of Atria Institute of Technology. Before moving to academics, Prof. Vedavyas was Senior Vice-President at Mahindra Satyam, responsible for its global telecom business. Earlier he was the Regional Manager for Tata Consultancy Services at Birmingham. Prof. Vedavyas is a graduate of IISc., Bangalore (BE in E&C) and IIM, Bangalore (MBA). He has an abiding interest in everything Kannada.

Prekshaa Publications

Among the many contributions of ancient Indians to world thought, perhaps the most insightful is the realisation that ānanda (Bliss) is the ultimate goal of human existence. Since time immemorial, India has been a land steeped in contemplation about the nature of humans and the universe. The great ṛṣis (seers) and ṛṣikās (seeresses) embarked on critical analysis of subjective experience and...

One of the two great epics of India and arguably the most popular epic in the world, the Ramayana has enchanted generations of people not just in Greater India but the world over. In less than three hundred pages The Essential Ramayana captures all the poetic subtleties and noble values of the original and offers the great epic in an eminently readable form that will appeal to the learned and...

The Bhagavad-gītā isn’t merely a treatise on ultimate liberation. It is also a treatise on good living. Even the laity, which does not have its eye on mokṣa, can immensely benefit from the Gītā. It has the power to grant an attitude of reverence in worldly life, infuse enthusiasm in the execution of duty, impart fortitude in times of adversity, and offer solace to the heart when riddled by...

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...


इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...


इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।


इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।


इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।


अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...


ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...


“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...