Kathāmṛta - 24 - Lāvaṇakalambaka - The Story of the Merchant Devadāsa

This article is part 24 of 133 in the series Kathāmṛta

Yaugandharāyaṇa then spoke to Vatsarāja. He said ‘O king, the divine is on your side and you have immense strength too. We are experts in the art of governance. Therefore, set out on your digvijaya – conquering expedition at the earliest.’ Listening to his Prime Minister’s suggestion, the king of Vasta said – ‘Let this wait for a moment. There can be several impediments for auspicious activities.  Therefore, I will first worship Śiva. Is it even possible to fulfil our dreams without the blessings of Śiva? The ministers supported Vatsarāja’s tapas just as the monkeys supported Rāma in his efforts of building a bridge.

Accompanied by his queens and ministers, Vatsarāja observed fast for three days and meditated upon Śiva. The lord appeared in the king’s dreams and blessed him thus: ‘O king, I am pleased by your austerities. No obstacle will impede your path. Also, you will soon beget a son who will become the emperor of vidyādharas!’ An elated Yaugandharāyaṇa congratulated the king and said: ‘My king, only the riches obtained through dharma really last. The fact that you came upon the treasure buried by your ancestors proves this! Listen to a story related to this’, and proceed to narrate the following story:

 

The Story of the Merchant Devadāsa

Long ago, in Pāṭaliputra, there lived a rich merchant called Devadāsa. His wife was the daughter of a rich man from Pauṇḍravardhanapura. After Devadāsa’s father died, he fell into gambling habits and soon lost all his wealth. Alarmed by his condition, his father-in-law took his daughter back to Pauṇḍravardhanapura. Slowly, better sense dawned upon Devadāsa and he decided to mend his ways. He thought of approaching his father in law for financial help to restart his business. With this aim, he went to Pauṇḍravardhanapura. When he reached there though, he was overcome with embarrassment, given his own state. His clothes were shabby and his person, dirty. He sat down outside a shop wondering how he could bring himself to visit his father-in-law’s house in such a state. As darkness fell, a young man came, unlocked the shop’s door and went in and lit a lamp. A little later, a woman came stealthily, went inside that same shop and closed the doors behind her and locked it. As she was entering the shop, Devadāsa caught a glimpse of her in the light of the lamp. To his shock, the woman was none other than his wife! A shocked Devadāsa thought to himself: ‘Alas! A man addicted to bad habits and a married woman left to her own in her mother’s house are bound to meet such a fate!’ Even as he was trying to understand what just happened, he heard her voice. Gathering his wits, Devadāsa carefully listened in, hiding by the door. The conniving woman was telling her lover: ‘My husband’s great grandfather had buried a trunkful of gold at each of the four corners of our house in Pāṭaliputra. Just before he died, he disclosed this to one of his wives. In due course of time, on her deathbed, she told this to her daughter-in-law. Then on, in my family, this secret has been traditionally passed down from mother-in-law to daughter-in-law, and it eventually came to me. Although my husband lost all his wealth, I did not reveal this to him since he is a compulsive gambler. Since I hold you dear, I am telling you this. You must go forthwith and buy Devadāsa’s house. Later when you unearth all that buried gold, come back here and we can live together happily forever’. Listening to these words, Devadāsa immediately rushed back to Pāṭaliputra. Upon reaching home, he wasted no time in digging up his family treasure. Thanking gods for granting him this fortune, he started to get his business back on track.

Within a few days, the lecherous merchant from Pauṇḍravardhanapura came on the pretext of work and offered to buy Devadāsa’s house. Smarting from his wife’s treachery and desirous of teaching them both a lesson, Devadāsa agreed to his offer and sold it to him for a low price. He then moved into another house which he had bought with that money. He even got his wife back home from Pauṇḍravardhanapura! A couple of days later, upon discovering that there really was no gold, the lustful merchant approached Devadāsa and said: ‘I don’t like this house, it’s too old for me. Just take back your house and return my money!’ Devadāsa flatly rejected his offer. Their argument grew louder and the dispute eventually reached the king. Then, in front of the king, Devadāsa narrated the entire story of his wife and her paramour. An angry king attached the paramour’s entire wealth to the royal treasury and pronounced upon him a strict punishment. Devadāsa chopped off his deceiving wife’s nose and threw her out. He then married again and lived happily with his new wife, enjoying his family’s treasure for the rest of his life.

Thus anything attained by virtuous means will last for generations. Therefore a man, and a king in particular,  should always earn money by adhering to dharma.

~

Everything was ready for the vijaya-yātra. The king honoured Gopālaka by giving him Videha; honoured Siṃhavarman, Padmāvatī’s brother by gifting him Cedi; and invited Pulindarāja. He started his expedition by attacking Brahmadatta, the king of Vāraṇāsī. His spies went ahead disguising themselves as kāpālikas. One among them anointed himself as the preceptor; all others became his pupils and declared that their preceptor was a trikālajña – knower of everything about past, present and future. Whatever he uttered they made it true. Thus, he was able to impress one of the favourite sons of Brahmadatta; from him they learnt all the secrets and reported everything to Yaugandharāyaṇa. Yogakaraṇḍaka, the minister of Brahmadatta poisoned everything in the path of Vatsarāja’s expedition; he sent viṣa-kanyās into his army; he also sent mercenaries who would kill people in the dark. Yaugandharāyaṇa received all this information from his spies and set about creating counter-measures for everything; he used antidotes for the poison, forbade unknown women, caught the mercenaries and and executed them. Thus all plans of Brahmadatta turned futile and when Vatsarāja marched towards the capital, with no other choice, realizing that he was invincible, Brahmadatta paid tributes and submitted to him.

Vatsarāja went further to Vaṅga, annexed it, installed his victory towers on the shores of the eastern ocean. Then he defeated the Kaḻiṅgas, crossed the Mahendra mountain and turned towards the south, crossed River Kāverī, defeated the Coḻa king, defeated the Muruḻas, crossed the river Narmadā, and reached Ujjayinī. There he was honoured by his father-in-law, Caṇḍamahāsena. Vatsarāja received so much of hospitality there that he forgot his own kingdom and its luxuries. Vāsavadattā too recollected her sweet times as a young girl in her father’s kingdom. Caṇḍamahāsena’s affection towards Padmāvatī was as much as his affection was towards his own daughter Vāsavadattā. After staying there for some time, Vatsarāja marched along taking his father-in-law’s army with him towards the west. He defeated the Lāṭas, and turned north. There he defeated the king of Sindhu, subdued the king of the mlecchas, killed the king of pārasīkas, received elephants as tributes from the king of Kāmarūpa, and ultimately reached Magadha, the kingdom of Padmāvatī’s father. The king received them with great fanfare and honoured them. After staying there for few days, Vatsarāja came to Lāvāṇaka, a part of his own kingdom.

There the army got some rest.

 

The current article is a translation of Prof. A R Krishna Shastri’s Kannada classic Kathāmṛta along with additional segments added from the original Kathā-sarit-sāgara (of Soma-deva). Bṛhat-kathā-mañjarī (of Kṣemendra) and Bṛhat-kathā-śloka-saṃgraha (of Budha-svāmin) have also been referred to. The translation has been rendered by Arjun Bharadwaj, Raghavendra GS, Srishan Thirumalai, and Hari Ravikumar.

The original Kannada version of Kathāmṛta is available for free online reading. So are the other works of Prof. Krishna Shastri.

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...