Introduction to the Kathāmṛta – Part 13 – What can we learn from the Kathā-sarit-sāgara? cont.

This article is part 13 of 20 in the series Introduction to the Kathāmṛta

For people who have read ancient works like Mahābhārata it is quite evident that this book is all about worldly affairs; The independence, carefree attitude, villainy, wickedness, gambling, adultery, heroism etc. Since it happens in life so it is in literature, but the problem here is the problem of the Koṇas. Koṇa not only refers to the dirty, slow moving, quadrupedal animal specialty (i.e. Male buffalo); it also refers to a dim-witted, coarse mannered biped too. Called alternatively by names such as Maḍḍi, Maḍeya, Maṃka, Muṭṭhāḻa, Mūrkha, Daḍḍa etc. There are stories about them in Kathāmṛta too. They face ridicule not being able to achieve anything in this world. Their master is tormented due to their behavior. Trouble for themselves, spoilsport for others. They do something stupid; but can’t recover from it. In that situation often stories about other animals and birds far below in intelligence such as fishes, crows, mice, pigeons, deers, owls, monkeys, etc are narrated to ridicule these fools and in contrast show those animals are far better.

Another meaning for the word Koṇa is a corner or an angle. If two straight line segments join at their ends they form an angle or a corner. If three such segments are joined pairwise we get a triangle. Anyone studying geometry would know this. The problems which occur in social and familial situations in literature is also portrayed using such triangles. In recent times (c.1950s) in European literature there have been many dramas, novels and stories involving such triangular problems; this happened in Indian context too and is still happening. It seems to be an eternal problem. The figure on the left can be used to explain this. M1,F1 denotes Male 1 and Female 1; they may be husband and wife; or lovers; if they are the only people in existence, there is no triangle, hence no problem. If M2 or F2 enters, a triangle will be formed and the problem becomes evident. If there is a connection between F1 and M2, real or imagined, there will be friction in between M1 and M2 resulting in fights followed by injuries, death/s. Likewise if there arises a connection between M1 and F2, jealousy would rear its head and M1 might be destroyed in that. F2 need not be a lover; mother-in-law, sister-in-law (younger/elder), co-sister, co-wife, even mother, daughter, sister (younger/elder), it can be anyone. Even without M1 and M2 they are by themselves very much capable of creating problems. Going further, even M1 and F1, married, but without any love and affection might be fighting all the time; even people living alone, due to their own sour character, can create problems without even such angles or corners.---intellect takes a wrong turn, stupidity grows, heart hardens, they might live lives that are undesirable both to men and God, neither capable of staying in their home nor fit to be in a mental hospital. The whole world would be their opponent. This problem of sexes seems to have no beginning; nor an end seems to exist.

If we leave these aside, what are visibly and directly relevant to us are biology and sociology. Marriage is a solution devised by man to address this question. That is like the eroding bank of sand adjoining a river. As long as the water flows beneath the sandy bank, it’s fine; however, if it swells and spills over, who could possibly stop the frenzied floods which ensue? ‘Who can possibly stop a flooding river or a woman out of control? Even Brahma cannot protect the fickle ones!” (the story of king Ratnādhipati).

Man is but a shell enveloping sense organs; even the one hailed as Kāmāri could not escape the torments of Kāma.

‘कामपरवशं न विप्रकुर्युः विभुमपि तं यदमी स्पृशन्ति भावाः’ 

If Parameśvara himself is not immune to these emotions, what chance do others have? - asks Kālidāsa in Kumārasaṃbhava. Parameśvara found a way out by fusing his wife inseparably with him. She assented, and that was that. Despite the saying ‘a woman pleased is loving, but a woman embittered is a shrew!’, is it possible for a man and woman to stay away from each other? A humorous story from Plato’s dialogues goes thus: the creatures which God first made belonged to a single gender called gaṇṇu or heṇḍu; he then split them into two halves called male and female; hence each half seeks its other in order to unite.

विलोक्यैकान्त भूतानि भृतान्यादौ प्रजापतिः |
स्त्रियं चक्रे स्वदेहार्धं यया पुंसां मतिर्हृता ||

[In the beginning, Brahma, seeing the loneliness of beings, created woman out of half of man’s body. It was she that stole man’s mind. Please compare with this śloka from Śrīmadbhāgavata (VI, 18-30)]

‘The discerning ones, despite being ordinary, seeking welfare in both the here and the hereafter, manage to keep under control the passions of desire and anger’ (like it happens in the story of Śūravarma). However, like Manu says: प्रवृत्तिरेषा भूतानाम् (such is the very nature of beings). Thus, for a creature already caught in the turbulence of basal nature and primed for fall from grace through ample inducements, of what help are courage and restraint? ‘Opportunity! You are to blame’ observed the great poet Milton, with sadness. ‘Caught amidst the five fires that are man, woman, drink, loneliness and unhindered opportunity, character is but a strand of straw’ (the story of king Ratnādhipati). What can one say about the game (cruelty?) of fate, which turns the already weak helpless, drawing them through inducements and pushes them into a well - as if to probe its depth! Thus, on many occasions, the sins of men and women are brought about due to natural propensities, weaknesses and temptations. One should look at this sympathetically. ‘May he who is without sin among you, be the first to cast stone on the sinful one’, exclaimed Christ. He took in the sinners; gave them courage and uplifted them.

Thus, while it may be possible to endure those who succumb to temptations, it is hard to brook the ones who are villainous, heinous, stubborn, envious and unyielding. One can live with creepers, not with thorns. One must not construe this to mean that I am advocating or approving indulgence in sensual pleasures. Vice, in any case, is a vice. However, an excess of even something good can turn out to be bad. When too much of home-made aromatic ghee obtained by melting butter is itself not salubrious, can foul smelling toddy be of any good?

In Kathāmṛta, there are good people too; the Vidyādhara women are good, beautiful and can bestow wealth, strength and happiness; but they are attainable only for Naravāhanadatta; so why bother about them? Let us take a look at the ordinary folk.

There are men who gave up their lives unable to bear the pangs of separation – we can see such people in other Purāṇic stories too – Rati and Indumatī, for instance. We will not be able to see elsewhere the kind of evil women whose story the Kathā-sarit-sāgara narrates. We can categorize them in the following manner:

1. Yoginī, Ḍākinī, Śākinī, (‘witch’/ magician) – they correspond to men such as Vetālasādhana, Kāpālika, Mantravādin and others
2. Women, who have an affair with their servant and cheat their husbands for no reason, though they are given all comforts and luxuries,.
3. Female friends who betray the heroine.
4. Angry, irascible and terrible wives and mothers-in-law.
5. Women who cheat their husbands, know no ethics and are sinful in their thoughts.Yet, there are chaste women who are devoted to their husbands – not everyone is crooked.
6. Co-wives who are jealous of each other.
7. Kuṭṭinīs, Prostitutes and women in the disguise of Sanyāsinīs. However, the prostitutes here are good-natured.
8. Step-mothers.
9. A stupid and a senseless wife who causes disputes.

Women who fall into the categories 1,2,3, 6 and 7 are either rare or are not part of the modern world at all. Women in rest of the categories are associated with the troubles between husband and wife as well as those that occur between a mother-in-law and her daughter-in-law. As the daughter-in-law is after all, her son’s wife, this can be considered as one particular category of problem (It is not necessary to classify it under a separate head). It is their evil nature and stupidity which makes the story interesting! Even if the man is smart, of what use is his intelligence if he is associated with that kind of a wife, mother and mother-in-law? It's like banging one’s head on to a rock and wounding oneself. Yet, how many men can do away with women? How many can restrain themselves from getting lost in that māyā called the feminine? If there were such men, prostitutes would go irrelevant. A work like ‘Kuṭṭinīmata’ would not have taken birth at all. Knowing very well that association with prostitutes will only lead to their own destruction, who indeed desires to go get crushed in that grinding stone? However, leading a life with an evil wife is more difficult than spending time with a notorious whore. Even if the husband is as great as Socrates, Tolstoy or Lincoln and although he could be good natured – and most men are good at heart – his state would be like that of a hapless dog (when his wife is evil).

To be continued...

This is an English translation of Prof. A R Krishna Shastri’s Kannada classic Kathāmṛta by Raghavendra G S, Arjun Bharadwaj,  Srishan Thirumalai, and Hari Ravikumar.

The original Kannada version of Kathāmṛta is available for free online reading here. To read other works of Prof. Krishna Shastri, click here.

 

Author(s)

About:

Prof. A R Krishna Sastri was a journalist, scholar, polyglot, and a pioneer of the modern Kannada renaissance, who founded the literary journal Prabuddha Karnāṭaka. His Vacana-bhārata and Kathāmṛta are classics of Kannada literature while his Saṃskṛta-nāṭaka and Bankimacandra are of unrivalled scholarship.

Prekshaa Publications

Indian Perspective of Truth and Beauty in Homer’s Epics is a unique work on the comparative study of the Greek Epics Iliad and Odyssey with the Indian Epics – Rāmāyaṇa and Mahābhārata. Homer, who laid the foundations for the classical tradition of the West, occupies a stature similar to that occupied by the seer-poets Vālmīki and Vyāsa, who are synonymous with the Indian culture. The author...

Karnataka’s celebrated polymath, D V Gundappa brings together in the sixth volume of reminiscences character sketches of prominent public figures, liberals, and social workers. These remarkable personages hailing from different corners of South India are from a period that spans from the late nineteenth century to the mid-twentieth century. Written in Kannada in the 1970s, these memoirs go...

An Introduction to Hinduism based on Primary Sources

Authors: Śatāvadhānī Dr. R Ganesh, Hari Ravikumar

What is the philosophical basis for Sanātana-dharma, the ancient Indian way of life? What makes it the most inclusive and natural of all religio-philosophical systems in the world?

The Essential Sanātana-dharma serves as a handbook for anyone who wishes to grasp the...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fifth volume, episodes from the lives of traditional savants responsible for upholding the Vedic culture. These memorable characters lived a life of opulence amidst poverty— theirs  was the wealth of the soul, far beyond money and gold. These vidvāns hailed from different corners of the erstwhile Mysore Kingdom and lived in...

Padma Bhushan Dr. Padma Subrahmanyam represents the quintessence of Sage Bharata’s art and Bhārata, the country that gave birth to the peerless seer of the Nāṭya-veda. Padma’s erudition in various streams of Indic knowledge, mastery over many classical arts, deep understanding of the nuances of Indian culture, creative genius, and sublime vision bolstered by the vedāntic and nationalistic...

Bhārata has been a land of plenty in many ways. We have had a timeless tradition of the twofold principle of Brāhma (spirit of wisdom) and Kṣāttra (spirit of valour) nourishing and protecting this sacred land. The Hindu civilisation, rooted in Sanātana-dharma, has constantly been enriched by brāhma and safeguarded by kṣāttra.
The renowned Sanskrit poet and scholar, Śatāvadhānī Dr. R...

ಛಂದೋವಿವೇಕವು ವರ್ಣವೃತ್ತ, ಮಾತ್ರಾಜಾತಿ ಮತ್ತು ಕರ್ಷಣಜಾತಿ ಎಂದು ವಿಭಕ್ತವಾದ ಎಲ್ಲ ಬಗೆಯ ಛಂದಸ್ಸುಗಳನ್ನೂ ವಿವೇಚಿಸುವ ಪ್ರಬಂಧಗಳ ಸಂಕಲನ. ಲೇಖಕರ ದೀರ್ಘಕಾಲಿಕ ಆಲೋಚನೆಯ ಸಾರವನ್ನು ಒಳಗೊಂಡ ಈ ಹೊತ್ತಗೆ ಪ್ರಧಾನವಾಗಿ ಛಂದಸ್ಸಿನ ಸೌಂದರ್ಯವನ್ನು ಲಕ್ಷಿಸುತ್ತದೆ. ತೌಲನಿಕ ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಅಂತಃಶಾಸ್ತ್ರೀಯ ಅಧ್ಯಯನಗಳ ತೆಕ್ಕೆಗೆ ಬರುವ ಬರೆಹಗಳೂ ಇಲ್ಲಿವೆ. ಶಾಸ್ತ್ರಕಾರನಿಗಲ್ಲದೆ ಸಿದ್ಧಹಸ್ತನಾದ ಕವಿಗೆ ಮಾತ್ರ ಸ್ಫುರಿಸಬಲ್ಲ ಎಷ್ಟೋ ಹೊಳಹುಗಳು ಕೃತಿಯ ಮೌಲಿಕತೆಯನ್ನು ಹೆಚ್ಚಿಸಿವೆ. ಈ...

Karnataka’s celebrated polymath, D V Gundappa brings together in the fourth volume, some character sketches of the Dewans of Mysore preceded by an account of the political framework of the State before Independence and followed by a review of the political conditions of the State after 1940. These remarkable leaders of Mysore lived in a period that spans from the mid-nineteenth century to the...

Bharatiya Kavya-mimamseya Hinnele is a monograph on Indian Aesthetics by Mahamahopadhyaya N. Ranganatha Sharma. The book discusses the history and significance of concepts pivotal to Indian literary theory. It is equally useful to the learned and the laity.

Sahitya-samhite is a collection of literary essays in Kannada. The book discusses aestheticians such as Ananda-vardhana and Rajashekhara; Sanskrit scholars such as Mena Ramakrishna Bhat, Sridhar Bhaskar Varnekar and K S Arjunwadkar; and Kannada litterateurs such as DVG, S L Bhyrappa and S R Ramaswamy. It has a foreword by Shatavadhani Dr. R Ganesh.

The Mahābhārata is the greatest epic in the world both in magnitude and profundity. A veritable cultural compendium of Bhārata-varṣa, it is a product of the creative genius of Maharṣi Kṛṣṇa-dvaipāyana Vyāsa. The epic captures the experiential wisdom of our civilization and all subsequent literary, artistic, and philosophical creations are indebted to it. To read the Mahābhārata is to...

Shiva Rama Krishna

சிவன். ராமன். கிருஷ்ணன்.
இந்திய பாரம்பரியத்தின் முப்பெரும் கதாநாயகர்கள்.
உயர் இந்தியாவில் தலைமுறைகள் பல கடந்தும் கடவுளர்களாக போற்றப்பட்டு வழிகாட்டிகளாக விளங்குபவர்கள்.
மனித ஒற்றுமை நூற்றாண்டுகால பரிணாம வளர்ச்சியின் பரிமாணம்.
தனிநபர்களாகவும், குடும்ப உறுப்பினர்களாகவும், சமுதாய பிரஜைகளாகவும் நாம் அனைவரும் பரிமளிக்கிறோம்.
சிவன் தனிமனித அடையாளமாக அமைகிறான்....

ऋतुभिः सह कवयः सदैव सम्बद्धाः। विशिष्य संस्कृतकवयः। यथा हि ऋतवः प्रतिसंवत्सरं प्रतिनवतामावहन्ति मानवेषु तथैव ऋतुवर्णनान्यपि काव्यरसिकेषु कामपि विच्छित्तिमातन्वते। ऋतुकल्याणं हि सत्यमिदमेव हृदि कृत्वा प्रवृत्तम्। नगरजीवनस्य यान्त्रिकतां मान्त्रिकतां च ध्वनदिदं चम्पूकाव्यं गद्यपद्यमिश्रितमिति सुव्यक्तमेव। ऐदम्पूर्वतया प्रायः पुरीपरिसरप्रसृतानाम् ऋतूनां विलासोऽत्र प्रपञ्चितः। बेङ्गलूरुनामके...

The Art and Science of Avadhānam in Sanskrit is a definitive work on Sāhityāvadhānam, a form of Indian classical art based on multitasking, lateral thinking, and extempore versification. Dotted throughout with tasteful examples, it expounds in great detail on the theory and practice of this unique performing art. It is as much a handbook of performance as it is an anthology of well-turned...

This anthology is a revised edition of the author's 1978 classic. This series of essays, containing his original research in various fields, throws light on the socio-cultural landscape of Tamil Nadu spanning several centuries. These compelling episodes will appeal to scholars and laymen alike.
“When superstitious mediaevalists mislead the country about its judicial past, we have to...

The cultural history of a nation, unlike the customary mainstream history, has a larger time-frame and encompasses the timeless ethos of a society undergirding the course of events and vicissitudes. A major key to the understanding of a society’s unique character is an appreciation of the far-reaching contributions by outstanding personalities of certain periods – especially in the realms of...

Prekṣaṇīyam is an anthology of essays on Indian classical dance and theatre authored by multifaceted scholar and creative genius, Śatāvadhānī Dr. R Ganesh. As a master of śāstra, a performing artiste (of the ancient art of Avadhānam), and a cultured rasika, he brings a unique, holistic perspective to every discussion. These essays deal with the philosophy, history, aesthetics, and practice of...

Yaugandharam

इदं किञ्चिद्यामलं काव्यं द्वयोः खण्डकाव्ययोः सङ्कलनरूपम्। रामानुरागानलं हि सीतापरित्यागाल्लक्ष्मणवियोगाच्च श्रीरामेणानुभूतं हृदयसङ्क्षोभं वर्णयति । वात्सल्यगोपालकं तु कदाचिद्भानूपरागसमये घटितं यशोदाश्रीकृष्णयोर्मेलनं वर्णयति । इदम्प्रथमतया संस्कृतसाहित्ये सम्पूर्णं काव्यं...

Vanitakavitotsavah

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Vaiphalyaphalam

इदं खण्डकाव्यमान्तं मालिनीछन्दसोपनिबद्धं विलसति। मेनकाविश्वामित्रयोः समागमः, तत्फलतया शकुन्तलाया जननम्, मातापितृभ्यां त्यक्तस्य शिशोः कण्वमहर्षिणा परिपालनं चेति काव्यस्यास्येतिवृत्तसङ्क्षेपः।

Nipunapraghunakam

इयं रचना दशसु रूपकेष्वन्यतमस्य भाणस्य निदर्शनतामुपैति। एकाङ्करूपकेऽस्मिन् शेखरकनामा चित्रोद्यमलेखकः केनापि हेतुना वियोगम् अनुभवतोश्चित्रलेखामिलिन्दकयोः समागमं सिसाधयिषुः कथामाकाशभाषणरूपेण निर्वहति।

Bharavatarastavah

अस्मिन् स्तोत्रकाव्ये भगवन्तं शिवं कविरभिष्टौति। वसन्ततिलकयोपनिबद्धस्य काव्यस्यास्य कविकृतम् उल्लाघनाभिधं व्याख्यानं च वर्तते।

Karnataka’s celebrated polymath, D V Gundappa brings together in the third volume, some character sketches of great literary savants responsible for Kannada renaissance during the first half of the twentieth century. These remarkable...

Karnataka’s celebrated polymath, D V Gundappa brings together in the second volume, episodes from the lives of remarkable exponents of classical music and dance, traditional storytellers, thespians, and connoisseurs; as well as his...

Karnataka’s celebrated polymath, D V Gundappa brings together in the first volume, episodes from the lives of great writers, poets, literary aficionados, exemplars of public life, literary scholars, noble-hearted common folk, advocates...

Evolution of Mahabharata and Other Writings on the Epic is the English translation of S R Ramaswamy's 1972 Kannada classic 'Mahabharatada Belavanige' along with seven of his essays on the great epic. It tells the riveting...

Shiva-Rama-Krishna is an English adaptation of Śatāvadhāni Dr. R Ganesh's popular lecture series on the three great...

Bharatilochana

ಮಹಾಮಾಹೇಶ್ವರ ಅಭಿನವಗುಪ್ತ ಜಗತ್ತಿನ ವಿದ್ಯಾವಲಯದಲ್ಲಿ ಮರೆಯಲಾಗದ ಹೆಸರು. ಮುಖ್ಯವಾಗಿ ಶೈವದರ್ಶನ ಮತ್ತು ಸೌಂದರ್ಯಮೀಮಾಂಸೆಗಳ ಪರಮಾಚಾರ್ಯನಾಗಿ  ಸಾವಿರ ವರ್ಷಗಳಿಂದ ಇವನು ಜ್ಞಾನಪ್ರಪಂಚವನ್ನು ಪ್ರಭಾವಿಸುತ್ತಲೇ ಇದ್ದಾನೆ. ಭರತಮುನಿಯ ನಾಟ್ಯಶಾಸ್ತ್ರವನ್ನು ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ಇವನೊಬ್ಬನೇ ನಮಗಿರುವ ಆಲಂಬನ. ಇದೇ ರೀತಿ ರಸಧ್ವನಿಸಿದ್ಧಾಂತವನ್ನು...

Vagarthavismayasvadah

“वागर्थविस्मयास्वादः” प्रमुखतया साहित्यशास्त्रतत्त्वानि विमृशति । अत्र सौन्दर्यर्यशास्त्रीयमूलतत्त्वानि यथा रस-ध्वनि-वक्रता-औचित्यादीनि सुनिपुणं परामृष्टानि प्रतिनवे चिकित्सकप्रज्ञाप्रकाशे। तदन्तर एव संस्कृतवाङ्मयस्य सामर्थ्यसमाविष्कारोऽपि विहितः। क्वचिदिव च्छन्दोमीमांसा च...

The Best of Hiriyanna

The Best of Hiriyanna is a collection of forty-eight essays by Prof. M. Hiriyanna that sheds new light on Sanskrit Literature, Indian...

Stories Behind Verses

Stories Behind Verses is a remarkable collection of over a hundred anecdotes, each of which captures a story behind the composition of a Sanskrit verse. Collected over several years from...